Cinderella, P. I. Around the World, featuring eight clever fairy tale mystery stories for grown-ups by Juliet Kincaid and Alyx Morgan’s brilliant voice characterizations, is now available as an audio book from iTunes, Amazon, and Audible. (Get it for free at http://www.audible.com/pd/Mysteries-Thrillers/Cinderella-P-I-Around-the-World-Audiobook/B01IWLXIIO/ref=a_search_c4_1_1_srImg?qid=1470060491&sr=1-1 when you join Audible.)
My dear friend and fellow writer Anne Bauman recently wrote me this letter of praise for Fatal February, the second calendar mystery. (I’ve omitted or rephrased here and there to avoid spoilers.)
Congratulations on Fatal February, another terrific read. Yes, I enjoyed it immensely, both as a reader and a writer. Between the lines, it reveals lots of work, thought, skill and care.
It seems to me that your characters were even better developed than in January Jinx, though the characters were well-done in [it], too. In the second novel I enjoyed the actions and especially the dialogue. Each character is distinctly developed as his own person.
Minty seems to be maturing and improving as a character. I like the way you played off [Daniel Price, the love interest] to help develop the personality of each. It helps the reader to see Minty more clearly as she interacts with the other characters.
Of course, I always enjoy reading about Kansas City around the turn of the century. Since my grandmother was a young woman at the time of your books, it’s pleasant to imagine what K. C. was like at that time and how it helped her develop her independence and self-assurance. I like the details you use to develop Kansas City as a character, too.
All in all, Juliet, you’ve created a masterpiece and I’m now looking forward to March.
Thank you so much, Anne. And I’m happy to tell you and other readers that I’m working on Mischief in March, the third Calendar Mystery featuring Minty Wilcox and Daniel Price in Kansas City, a downright dangerous place a hundred years or so ago.
If, dear reader, you haven’t read the first two in the series, January Jinx is available on Kindle at www.amazon.com/dp/B00HSSSBE4 and Fatal February at www.amazon.com/dp/B017081JHM. Both are also available as trade paperbacks through Amazon.com.
And if you like these books, please review them on Amazon and Goodreads. Just a few sentences help. I would appreciate it very much. All the best, Juliet
P. S. Didn’t my daughter do lovely work on the cover of Fatal February?
WiP Report # 15
“Better busy than bored” has become my motto in life, maybe even more after retirement than before. Here’s what has kept me busy (and certainly not bored) lately.
The fourth draft of Fatal February, the second Calendar Mystery is done. (Way late. I’d planned–foolish me–on having it out in February 2015.) Still I revised 100,000 words in 26 days. That means I booked along at the pace of 3,846 words a day. (Yeah, that pun was intended. They usually are, you know, especially when people claim, “no pun intended.”)
But I didn’t have a lot new to add or too much to change this time through, just mostly tweaks. Somehow, though, I managed to add 7,000 more words. If I cut 10 percent–as Stephen King claims he always tries for in revising his books–that would bring the total down to 90,000 words. But we’ll see.
Here’s a picture of Draft 4 on top of Draft 3. Please notice that the new draft only has chapter tabs, not a whole bunch of tabs for corrections that create a hula skirt effect.
I hope the fifth and final draft of the book won’t require much so I can get it done fast and out soon. It’s feeling about right to me except for the last few pages. Still, I’ve had lots of fun with Minty Wilcox and Daniel Price in their second outing. Sparks and repartee just seem to fly when they’re together.
Of course, there’s always something that slips by even the most cautious editor. For instance, recently, I pulled a sentence or two out of the book to use as an example in a writers’ group. And I discovered I’d left out the verb, unintentionally. Yikes. My early readers will tell me what else I messed up, I’m sure.
CINDERELLA, P. I. STORY COLLECTION AUDIOBOOK
This is really exciting news!
Several weeks ago I posted a request for auditions for Cinderella, P. I. and Other Fairy Tale Mystery Stories through Amazon’s ACX. Just about when I’d decided no one would bite, a wonderful lady named Alyx Morgan sent me a reading of the first five minutes of the first story in the collection. And hearing it, I found myself smiling even though I know that story very well. So we signed an agreement through ACX and she’s working on the audiobook. I’m really loving what Alyx is doing, making all my characters coming alive and all so different from each other.
Meanwhile, for assorted reasons, I decided to design a completely new cover for the audiobook instead of modifying the existing cover. That means this self-publisher has to climb yet another learning curve, this time in Photoshop. Huff, puff, get on up that hill. But practice makes perfect and all that stuff.
Here’s a peek at the audiobook cover. Yeah, I know the title isn’t quite centered. (I’ll fix it.) What do you think about it otherwise?
Best, Juliet–definitely busy instead of bored
Boy, howdy, how time flies.
When I recently checked my files, I discovered that it’s been a year and nine months since WiP Report # 12 in which I reflected on my decision to quit trying to go the traditional route of getting published with the help of an agent and editors.
As I looked over that blog installment, I couldn’t help but reflect on how far I’ve come as a self-publisher since I posted it. By July 25, 2013, when I posted that blog, I’d published only five Cinderella, P. I. fairy tale mystery short stories as Kindle eBooks. I had also nearly finished writing Walls, a Cinderella, P. I. Novel. But as I said in the blog, besides publishing Walls, I wanted to revise and publish Wings, its sequel; two or three Cinderella, P. I. story collections; and up to five more novels sooner or later. Also I wanted to write a contemporary series with a baby boomer amateur detective “before I check out.”
There’s nothing like the devil on your tail or at least time’s winged chariot bearing down on you to speed matters up. And it certainly helped that I’ve been writing with the aim of being a published author since 1986, so I had about ten novels and other completed manuscripts in my files.
Still, I’m a little amazed to report that in the year between October 9, 2013, when I published Walls, a Cinderella, P. I. Novel as a Kindle eBook and October 9, 2014, I published three novels altogether including January Jinx, the first in a historical mystery series; two story collections, and an additional short story. All this added up to more than 300,000 words or the equivalent of 1,100 print pages. Plus in National Novel Writing Month, November 2014, I drafted a 50,000 novel set in a community college and tentatively called Fall into Murder. In the months since December 1, I’ve written another draft of Fatal February, the second Calendar Mystery. I missed my February 2015 deadline to publish Fatal February, but still I aim to have it out this year along with a third Cinderella, P. I. story collection, possibly a collection of essays about mystery fiction that I originally wrote for this blog, and a stand-alone thriller called Death in Shining Armor. Besides the sheer output, I’ve also taken on more of the tasks of self-publishing such as doing some of my own covers and formatting instead of hiring someone to do those things for me.
Perhaps most important, I’ve gained a lot of confidence in myself as a writer and self-publisher. For example, I used to get all bent out of shape with “hi tec anxiety,” but not so much anymore. I still beat myself up sometimes about my low sales figures, but they’re improving.
FYI: These five books are all available as Kindle eBooks and trade paperbacks at Amazon.com. If you enjoy these novels and stories, please review them. Even a few positive words help.
Till next time. Best, Juliet.
P. S. Didn’t my daughter do a beautiful job on the cover of January Jinx?
Check out my Author Spotlight at http://eepurl.com/beLexH featuring my most recent book, January Jinx, a cozy historical mystery. Enjoy mystery and romance in Kansas City in 1899 in the first of the Calendar Mysteries that tell the story of Minty Wilcox and Daniel Price from newly met to newlywed and beyond. January Jinx is available from Amazon.com in trade paperback and as an eBook at www.amazon.com/dp/B00HSSSBE4
P.S. “Cinderella, P. I.,” the first short story in my Cinderella, P. I. fairy tale mystery series, is available as a Kindle eBook February 19 through February 22 for FREE at www.amazon.com/dp/B00BAZPXEM
Juliet Kincaid’s Cinderella, P. I. Fairy Tale Mysteries
Most of us heard or read fairy tales when we were young or view Disney versions of stories like Snow White and the Seven Dwarfs. We still can and do as grown-ups. For instance, Disney recently has brought us Tangled, the story of Rapunzel, one of the folktales transcribed by the Brothers Grimm and published in 1812. On television we can watch Grimm or the family friendly Once Upon a Time. As many of you know, I’m writing a series of mysteries featuring Cinderella as a private detective twenty years, three kids, and a few extra pounds after the ball.
How did I come to write these mysteries?
Well, back in 1996 at a writing conference I heard someone say that it’s very hard to write a complete story in fewer than 2,000 words. (This obviously was before the rise of flash fiction that typically tops out at about 500 words.)
Shortly after that, with this challenge in mind, I set out to write a story in fewer than 2,000 words.
Why did I choose Cinderella?
Now, at the time, I happened to have a copy of Writing and Reading Across the Curriculum by Laurence Behrens and Leonard J. Rosen in my office at the community college where I taught writing for twenty-five years. This textbook includes a unit on fairy tales, specifically “Cinderella,” the best-known fairy tale in the world. Indeed, there are more than 700 versions of this fairy tale including traditional versions handed down from generation to generation before they were written down and published by folks like Charles Perrault in the Mother Goose Tales of 1697 and literary versions like Tanith Lee’s “When the Clock Strikes.”
FYI: the earliest version that scholars have a specific date for–between 850-860 A.D.–is the Chinese story of Yeh-hsien, who had tiny feet. One of the more recent versions is Marissa Meyer’s Young Adult novel Cinder, first published in January of 2012, in which Cinderella is a cyborg.
But back to the start of my journey with Cinderella, I’ve always been intrigued with the “happily ever after” tag that ends many fairy tales. I feel that if you’re bored you’re not happy. So what would keep Cinderella from getting bored in her life with Prince Charming? I asked myself. And as a reader of crime fiction, I promptly decided that my Cinderella would be a private investigator. (I was terribly naïve about how busy Royal families can keep with their duties, causes, etc.)
Before I started writing, I made some technical decisions to keep the story short. These included using a first person narrator who could provide background information succinctly without sounding like a manual. Also I chose present tense in preference to past tense, so I wouldn’t get mired in “haditis.” (After I heard an agent say she never represented fiction written in present tense, though, I switched to past tense.)
Once I made those decisions, my Cinderella started talking to me, as characters often do. And lucky for me, she has continued to do so through twenty-nine stories and two novels.
Also lucky for me, the fairy tale provides certain expectations that made writing go more easily.
For instance, most folktales use the same plot line. The protagonist wants something. In the classic Grimm version of the tale, for instance, Cinderella, called Ashputtle in this rendition, wants to go to the ball thrown by the King whose son is in need of a wife. To get there, Ashputtle must surmount several obstacles. But never fear, she prevails, dances with the Prince and after a few more challenges, marries him and lives happily ever after.
I also had a setting in time and place. My Cinderella’s world is sort of like our middle to late 19th century. People still got around in horse-driven carriages. But once my heroine started talking to me in a voice rather like my mother’s, I got in at least a few contemporary touches. That first story, for instance, starts with “So that morning, as usual, I’m out on the balcony on the treadmill, trying to run off a few extra pounds. . . .” The treadmill is mechanical, but her obsession with her weight is 21st century.
The basic plot supplied important characters. In her happily ever after, Cinderella has a charming husband, but she also still has her stepmother and stepsisters, collectively called the Steps in my mysteries. She also has a helper, a fairy godmother. In “Cinderella, P. I.,” though, the shoe is on the other foot, so to speak, and Cinderella helps her fairy godmother find her magic wand that’s gone missing.
When you work with such a rich tradition as folktales provide, often serendipity operates. For instance, in the first story I needed someplace for the fairy godmother to live. And what should appear in my head, but the little cottage in the woods formerly owned by the Three Bears. Plus I never quite know who will show up in these stories. For instance, when I needed to get my protagonist somewhere far away in a hurry in “Cinderella and the Usual Suspects,” she flew “Air Mother Goose.”
Along with the basics, the original story has certain logical yet sometimes unexamined elements. For instance, logic demands that our heroine’s name is actually Ella with “cinder” a pejorative prefix. Indeed, in my stories, Ella’s royal in-laws insist that the “Cinder” be dropped. Also, implicit in the basic tale is the story of an abused child and how she prevails over an unhappy childhood without losing her inherent kindness and sweetness of character.
One last thing, it’s logical that Ella missed out on her education and so she doesn’t speak like you’d expect a princess would. As a result, even as I wrote the last draft of Wings, a Cinderella, P. I. Novel, I couldn’t always predict what my Cinderella would say and how she would say it. I hope she keep surprising me as she continues to live happily ever after in my stories and novels.
Walls, a Cinderella, P. I. Novel is currently available as a Kindle eBook at www.amazon.com/dp/B00FQLQ2WI and as a trade paperback: ISBN 978-0-9899504-1-1.
Wings, a Cinderella, P. I. Novel is now available as a Kindle eBook at www.amazon.com/dp/B00LGXFB2W.
Cinderella, P. I. and Other Fairy Tale Mysteries is available as a Kindle eBook at www.amazon.com/dp/B00GMMUSTI.
COMING SOON: two more story collections featuring Cinderella twenty years, three kids, and a few extra pounds after the ball: Cinderella Around the World and Cinderella and the Holy Grail.
Memory as a Resource for Characterization
I’ve completed the almost final draft of Wings, a Cinderella, P. I. Novel and it’s in the hands of my readers. (Thanks so much, Gail, Denise, and Barbara.) And I’m working on the cover. I’m not totally happy with it, but I’ll take copies of the current versions to my art class tomorrow for help.
In the meantime, I’m reflecting on some of the people from my past who have appeared with fictional disguises in the Cinderella, P. I. Fairy Tale Mysteries.
First off, a riff on naming characters, often a chore for fiction writers. Some authors run contests among their fans for the right to name characters after the fans, but right now I’m mining out my memories of the past in three ways.
1) The first two characters I’ll discuss soon are named for the people who inspired them.
2) Desperate for names for a group of four men who appear in Wings, the sequel to Walls, I recalled the last names of my mother’s brothers-in-law: Walen, Young, Johnson, and Morse. Ha! Nailed that.
3) Soon after that I realized that I have a resource of character names in the teachers I’ve had over the years. Since I have a Ph. D. and went to school for twenty-three years altogether, we’re talking lots of names. So when the cook in Wings needed a name, I called her Mrs. Swetnam after my professor in Romantic Poets at the Ohio State University.
And now to a tribute to three women important in my life:
1) After I left my husband and returned to Huntington, WV, my hometown, I found a job in the Acquisitions Department in the library of Marshall University. So I needed a babysitter for my very young daughter. And my former Sunday school teacher and longtime family friend graciously agreed to care for my child while I worked. So Jessica spent weekdays for the next eight months or so in the loving care of Vi Sullenberger and her husband Delbert, a retired clock repairman, in their little house filled with clocks. When Sophie, Cinderella’s youngest child and only daughter, needed a nanny, I gave her Nana Vi.
2) In the first Cinderella, P. I. story, written in 1996, later in “Cinderella and the Missing Queen,” Prince Charming’s mother was simply the Queen, but by time I came to write Walls, I realized she needed a name. Now, the Queen in these stories loves to dance and at one point, she taught it, too. And so I named her Frances after Frances Nestor with whom I studied the ballet and other forms of dancing for eleven years. Mrs. Nestor was my first teacher who was passionate about the subject she taught. As such, she made a wonderful role model for me as a teacher.
3) And now I’ll talk about my mother, Melicent Perkins Smith, called Middie for Midget by her family members and Susie by my dad and their friends. I was my mother’s only child and my daughter her only grandchild. But she was the stepmother of my older half-brother, Homer Dale Willman, Sr. So I got to see first-hand how a stepparent operates and how a stepmother in particular can feel that her relationship with her husband is challenged by the presence of another woman’s child in the household.
Although the relationship between Cinderella’s father and stepmother in Walls and Wings resembles my parents’ relationship before my dad’s retirement, I do want to make it clear that my own mother isn’t the direct model for Cinderella’s stepmother. There’s one very important difference between the two women: the fictional character lacks my mother’s inherent generosity. For instance, my mother went without new clothes for years, so that I could have the dance lessons with Frances Nestor that I so loved when I was young, the lessons that I still benefit from in terms of self-discipline, health and happiness early in the eighth decade of my life.
Thank you so much, ladies. You are all fondly remembered.
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Walls, a Cinderella, P. I. Novel is currently available as a Kindle eBook (ISBN: 978-0-9899504-0-4) and trade paperback (ISBN: 978-0-9899504-1-1).
Cinderella, P. I. and Other Fairy Tale Mystery Stories is also available as a Kindle eBook (ISBN: 978-0-9899504-2-8) and trade paperback (ISBN: 978-9899504-3-5).
COMING SOON: Wings, A Cinderella, P. I Novel, second of two novels featuring Cinderella, twenty years, three kids, and a few extra pounds after the ball; and two more fairy tale mystery short story collections featuring Cinderella, P. I.: Cinderella Around the World and Cinderella and the Holy Grail.
Author’s Blog Chain
My friend Lisa Daly has tagged me to follow her in the author blog chain. I’m very excited about the publication of her first novel, Mystery, Ink: A Novel Way to Die. You can find more information about it on Lisa’s website: http://www.lisakaydaly.com.
Here are my answers to four basic questions about my work.
1. What are you currently working on?
Right now I’m about a quarter of the way through the first complete draft of Wings, a Cinderella, P. I. Novel. (I’ve already written parts of it.) It’s the second of two novels about Cinderella, twenty years, three kids and a few extra pounds after the ball. In the first she’s been convicted of a heinous crime she didn’t commit and exiled far to the north of the Kingdom of AzureSky. And she has to escape the walls that confine her. In Wings she flies home on Mother Goose to save her loved ones and to set the Kingdom straight after a villain and his minions have severely messed it up.
2. How does your work differ from others?
Typically, stories about Cinderella are for the young. Mine are for grown-ups, though they often contain some of the whimsy, charm and humor that people of all ages like in fairy tales. Though firmly in the fantasy realm, the Cinderella, P. I. novels and stories have a contemporary edge and are also mysteries.
Besides the Cinderella, P. I. novels and stories, I have begun publishing a series of historical mysteries set in Kansas City beginning with January Jinx in 1899. In these books, I’m trying for a light approach to historical fiction. I include humor, let my protagonist flirt with a good-looking stranger, and avoid extreme violence.
3. Why do you write what you write?
The simplest answer is that I habitually read mysteries, so that’s why I write mystery fiction. My second favorite fiction genre to read is fantasy. This partly explains my gravitation to fairy tale fiction. (I wrote “Cinderella, P. I.,” the first story in the series in 1996, long before the debut of Once Upon a Time and Grimm on television.)
The longer and more complex answer is that I’ve always enjoyed reading fiction that allows me to escape from my fairly pedestrian life, that is, to go on adventures in faraway places, long-ago times, and never-never-lands with characters I can identify with. I don’t like being in the heads of creepy people and I prefer happy endings to sad ones. I enjoy humor and wit. And I try to write the same sorts of fiction as I like to read.
4. How does your writing process work?
As a retired teacher of writing, ironically I find this question a little hard to answer. I guess this is because what gets me started on a story can be so mysterious. For instance, I wrote the first Cinderella, P. I. story as an experiment. I’d been to a writers’ conference and heard someone say it’s very hard to write a complete short story in fewer than 2,000 words. (This was before the rise of flash fiction.) So I decided to try to write one. I fixed on Cinderella as a protagonist because a textbook I used in a course I taught had eight different versions of the fairy tale. Plus I was intrigued with “happily ever after.” To my mind, if you’re bored, you can’t be happy, so what could Cinderella do twenty years, three kids and a few extra pounds after the ball that would keep her busy instead of bored? Well, solve cases. I decided to use first person, so any exposition would sound like dialogue, and present tense to avoid using “had” too often. Then of course, my Ella started talking to me, and the story took off.
A few pointed questions help me on my way. Here they are and in the order I like to ask them. Who wants (or needs) what? Does (s)he succeed? [“Yes” and “no” are less fun than “yes but” and “no but.”] What obstacles can I throw in this individual’s path?
Once I get tentative answers to these questions, I start shaping the plot according to standard plot structure described in books like Robert J. Ray’s The Weekend Novelist: Part 1, the Set-up; Part 2, the Development; and Part 3, the Resolution. Part 1 needs a hook to start the story and to grab the reader’s attention and plot point one to set up Part 2; Part 2 needs to develop the set-up plus a midpoint or turning point and plot point two to set up the ending in Part 2; Part 3 needs a crisis and a resolution/denouement. When I have only a few obstacles, aka plot complications, I write a story. Lots of obstacles and I write a novel.
Once I’m involved in a project like Wings, I try to work on it everyday so I don’t lose my momentum. Also, I try to follow the common advice to write the initial draft from start to finish as fast as I can. The revising process takes longer as I do lots of revisions, often attacking different issues in different drafts. For example, I try to fill “plot holes” in earlier drafts and work on style including readability in later ones. Early drafts go fairly slow. Later ones can go very fast.
You know what? There is another question, sort of a Question 3b. Why do you write? My answer? Writing makes me happy. It’s as simple as that.
You can buy Cinderella, P. I. and Other Fairy Tale Mystery Stories as a Kindle eBook (www.amazon.com/dp/B00GMMUSTI) or trade paperback. Walls, a Cinderella, P. I. Novel is available as an eBook (www.amazon.com/dp/B00FQLQ2WI) and trade paperback. January Jinx is now available as a Kindle eBook (www.amazon.com/dp/B00HSSSBE4) and the trade paperback is coming soon.
It’s my pleasure to end my contribution to this Authors’ Blog Chain by tagging my friend Theresa Hupp.
Theresa is a writer of fiction (novels and short stories), essays and poetry. She is currently working on a series of novels about the Oregon Trail in 1847 and life in Oregon and California during the Gold Rush. You’ll have to read her post next week to find out why she is writing historical fiction on this era of American history. She has worked as an attorney, a mediator, and a Human Resources executive and consultant. You can follow her blog, Story and History, at http://mthupp.wordpress.com/ or follow her on Facebook at Theresa Hupp, Author, at https://www.facebook.com/TheresaHuppAuthor
Theresa is the author of Family Recipe, a collection of essays, stories, and poems about family life.
DIY Covers for Self-Publishers
1. For the cover of January Jinx, the first in a series of historical mysteries set in Kansas City around 1900, I needed an image to work from. And I’d already decided I wanted something distinctive. This meant clip art was out. And if I was to have half a chance of making money, I couldn’t hire anyone to do it.
Luckily, when I started researching my calendar mysteries, I bought a bunch of Dover books. These included Victorian Fashion in America, edited by Kristina Harris. Among the vintage photos was this one:
With some cropping, it would fit inside a frame neatly and so I would avoid the kind of linear design that had caused Cinderella on the covers of some of my fairy tale mysteries to lose her head and legs in thumbnails. Plus, I loved this young woman’s cocky pose. Still, I decided not to include the bow tie, as jaunty as it was. And her hat was much too big and fancy for my protagonist’s workday hat. So I used this hat as a model instead.
And finally, I wanted to use my own grandmother’s face rather than that of the charmer in the first reference photo.
(This is Juliet Perkins Smith for whom I’m named.)
2. On the basis of these decisions, I set to work on the cover of January Jinx.
I did a number of color tests to get the right color for Minty Wilcox’s garnet red suit. Here’s a sample of a color text.
I laid out the cover to fit a 6″ by 9″ format so I wouldn’t need to do too much in Photoshop. I played with fonts, printed samples, and decided on Trajan Pro. The photo below shows an early version of my cover layout.
Then I ran into trouble with the frame. I did the outside edges, but I couldn’t figure out how to do the inside points. I asked for help from Barbara O’Leary, my art teacher, who said, “It’s just geometry, Juliet.” Waving my hands hysterically, I shouted, “Do you know how long it’s been since I had geometry?” Once Barbara showed me how, I quickly finished the frame.
Next I transferred my reference photo to my watercolor paper. Now, my mode of doing this is crude. I make a photocopy, reducing or enlarging as I need to. Then I cut the image out and draw around it on my paper. Finally, I refine the image with pencil.
Here’s where I ran into trouble, lots of it, on my model’s right hand, the chair, and the girl’s face. With such a small painting, her eyes were barely an eighth of an inch wide. So even the tiniest slip of the pencil tip made them cross. But the principle of simplifying held me in good stead with all three problems. Minty’s face ended up not looking much like my grandmother’s, though.
The actual painting went along well except I accidentally got Alizarin Crimson a few places where I didn’t want it. Mostly I fixed those glitches with the brush, but one I left to fix in Photoshop. Here’s a photo of the cover in progress showing my pattern and the suit with a Payne’s Grey undercoat.
(I cut out a copy of my grandmother’s face and taped it to the copy of the first reference photo.)
3. Using Photoshop I completed the cover. By the time I did the cover of January Jinx, I already knew how to crop a simple image, to insert text, to adjust image size, and save a cover as a jpg file. To these skills and with advice of three different people, I added correcting images to my Photoshop skills. And so I removed the extra bit of Alizarin Crimson from the top inside of the frame. Here’s the finished cover.
As usual during the process of publishing my own work, I learned a lesson. Reducing an image to such a small size creates problems like the one I had with Minty’s eyes. So the next time I do a cover I plan on painting the image larger and reducing it in Photoshop. I have the skills for that, I think.
By now you might be asking why I go to all this trouble doing my own covers to save some money. The answer’s simple. The covers of my books and stories may seem a little amateurish, but they look like no one else’s. They stand out among other books on Amazon sell pages and on bookstore shelves.
January Jinx is now available as a Kindle eBook (www.amazon.com/dp/B00HSSSBE4) and the trade paperback is coming soon. You can buy also Cinderella, P. I. and Other Fairy Tale Mystery Stories as a Kindle eBook (www.amazon.com/dp/B00GMMUSTI) or trade paperback. Walls, a Cinderella, P. I. Novel is available as an eBook (www.amazon.com/dp/B00FQLQ2WI) and trade paperback.