Category: fiction writing techniques

A New Beginning: Fall 2022 Newsletter

A New Beginning: Fall 2022 Newsletter

  A New Beginning to Die by the Sword aka To Die by the Sword aka Death in Shining Armor

Night . . .

Saturday, September 10, 1988

The Medieval Fair Site . . .

I didn’t want much that night, just to go out to the shop on the Med Fair site to drop off some pots and cups and mugs that had finally cooled off enough to pick up from the Ceramics Department of  the City College of Art and Design back in town.

Now let me tell you why I decided to open Ye Old Oddities Shoppe and sell my pottery at Med Fair that fall. It was because there I was, pushing forty, and still working in the Registrar’s Office at C-CAD where I graduated with highest honors way too many years before. (Not going into the life-happens events that kept me working there for so long right now.) And I didn’t want to still be at C-CAD when I turned forty the next year.

Instead, I wanted to make and save enough money from Med Fair and other ways that I could go to the university the next fall, get a job as a teaching assistant and get experience in the classroom, get my master’s, and become a professor of ceramics at some college or university for the rest of my life. It would be ideal, I thought, to teach the same thing that I loved to do.

But . . .

BUT, thanks to some crazy person wearing armor from head to shiny toes, I about got myself killed that night, the first of several attempts to murder me.

<> <> <>

Something interesting happened recently after I revised my Novel Basics, An Illustrated Guide to Writing a Novel. I noticed that I didn’t follow my own advice in writing Death in Shining Armor, a novel that I’ve worked on for decades in several different forms. That is, I didn’t establish early what the protagonist wants to accomplish in her journey. I mean the very first card in the brainstorming system I describe in Novel Basics is called the heart card for a novel and asks the question “Who wants what?” for goodness’ sake. And I blew the beginning of my own novel. Oops! So I figured out what my protagonist wanted and put it on the first page.

 I also took some of my own advice presented in my concise yet complete guide to writing a novel: If you’re having trouble with a novel, play around with the point of view, that is, the perspective in time and space of the narrator. Most of the earlier versions of the book were in what’s called third person point of view (she/he/they, her/his/their, etc.) limited to three characters. But when I restricted the perspective of Death in Shining Armor to only one character, the novel’s protagonist Vanessa Laura Mathison aka Van the Potter speaking directly to the reader in first person (I/me/mine), she started talking to me, too. And the novel started coming to life in ways it hadn’t done before. Propelled by that new beginning, I’m now about eighty pages into the novel.

FYI: the new eBook version of Novel Basics, An Illustrated Guide to Writing a Novel, that now includes a section on self-publishing, is available at www.amazon.com/dp/B07K2LXFRP for $3.99 Plus, it’s always free through Kindle Unlimited. Also, I’m offering the eBook on Amazon for only $0.99 from Friday September 30 through Thursday October 6, 2022. It’s your perfect resource to prepare for National Novel Writing Month 2022.

Best, Juliet

P. S. Currently, I’m rebooting eBook versions of some of the short stories and books in both my Calendar Mystery series and Cinderella, P. I. Fairy Tale Mystery series through several different retailers in addition to Amazon. To keep up with my publications on Amazon, click here: https://www.amazon.com/Juliet-Kincaid/e/B00DB4HWRG. And to keep up with my publications through other retailers now including Apple Books, Barnes & Noble, and Kobo, click on https://books2read.com/author/x/subscribe/1/305166/?preferred_retailer=0&book=927193 and complete the form.

May 2022 Newsletter: for love or money?

May 2022 Newsletter: For Love or Money?

Do I write for love or money or something else entirely?

A couple of months ago, I had an encounter with a person who made me think about my motives for writing fiction. Here’s what happened.

A few days before the incident, we’d had our house sprayed for ants, but the ants persisted and were swarming up the tiles around my shower. So, I called the owner of the pest control company we’ve used for more than thirty years, and he sent over his dad who started the company and now fills in on jobs when the technicians are out on scheduled calls.

Dad, whom I will call Sam for the purposes of this essay, arrived promptly at 1 o’clock when I’d just begun attending a webinar on writing. And probably because he saw me look in the direction of my home office, he asked, “Still writing?”

“Why yes,” I said. “In fact, I’m very excited about the book I’ve been working on. It’s coming out soon.” This book is Die by the Sword, a novel of suspense, a project that has lured me back to it in different forms for thirty years.

“Make any money?” Sam said. And before I could respond, he said, with a sneer, “I know you don’t. You wouldn’t live in this house if you did.”

Pretty obviously, in Sam’s mind, the only reason for doing anything is making money. But for me, probably money goes at the bottom of my list of reasons why I write. Mostly that’s because if I think a lot about the money I might not make from my writing, I get depressed and don’t write at all. (We’ll come back to making money later on.) We’ll keep love at the top. I simply and absolutely love to write fiction. But I have other reasons why I write.

Let me flashback to the ‘70’s. When I went to the Ohio State University, I wrote papers required by my courses and stories like “Graduate Student Blues” to entertain myself and my friends. I also wrote a novel (my first) in diary form as a way of exploring the subject of my dissertation, fiction in diary form.

But there’s another motivation as well. In my novels and stories, I like to show people my readers and I like solving problems like rescuing a loved one from peril and not letting killers get away with their crimes. Our troubled world certainly needs a whole bunch of problem solvers.

I write because my characters need me. Without me, they can’t exist of course. And even as I write this, I have one character in my mind who says, “Get back here. You said you were going to change my name. You promised. And you haven’t done it. And I won’t shut up until you’ve given me that nifty new name that connects me with the place shown in Die by the Sword with the old Kansas City my grandfather and grandmother know in your calendar mysteries like January Jinx.”

And I need my characters. They make me laugh. They make me cry. They surprise me. And they help me escape this troubled world.

On the practical side, I write fiction because it helps keep my brain alive and well. You better believe that I need to keep my mind alive to juggle the major plot line of a novel, especially a mystery novel like Die by the Sword with all its clues and suspects, and two to four subplots as well.

But I do want to explain how unfortunate the timing of Sam’s visit was for me when I was rushing to complete Die by the Sword in time to meet the pre-order deadline of Memorial Day weekend (this weekend!) that I’d set up. The conversation with Sam caused me to lose my confidence in myself and in Die by the Sword, so I came to wonder if that novel had too many plot holes that, in my dotage, I couldn’t even see to fix. So, I abandoned that novel and went over to another project I’d started but abandoned early this year: publishing my calendar mysteries on other platforms through a service called Draft2Digital.

And something fascinating happened. As I edited the text of digital version of January Jinx, Book 1 in the series, I found myself laughing and tearing up for my wonderful characters and rooting for them, too, even though I’ve read and rewritten the book at least a dozen times in at least three quite different forms. The joy I find in writing fiction is my primary motivation to do it.

And so, I’ve decided to resume work on Die by the Sword with a tentative publication date of September 2, 2022, though I’m not setting up another pre-order in case I don’t make that deadline. I’ll keep you posted.

Stay safe and well in this troubled world . . .

Best, Juliet

P. S.

the new cover of January Jinx

 

 

I’m really pleased with my new cover design for the digital versions of my calendar mysteries with facets of the birthstone framing the image. And I want you to know that you can now buy the eBook version of January Jinx not just from Amazon but from Barnes & Noble, as shown in the screen shot above, Apple, Kobo, and a number of other platforms as well. I hope to publish the other books in the calendar historical mystery series through Draft2Digital at a regular pace this year.

 

January 2022 Newsletter

Starting a New Year . . .

Somehow, I’ve managed to start the new year by catching a cold. Apparently, this happened when I went to my doctor for a well woman check-up about a week ago. Of course, I went fully masked and observed the distancing protocol for the most part except when my doctor listened to my heart beat. Bummer!

But my temperature was the usual 96.9 this morning. I can still breathe deep and slowly exhale without coughing. And the COVID test I took yesterday turned out negative. So overall I’m good to go in 2022 with several projects. I’ll just talk about two of them.

Recently, to enhance my career as an indie author and increase sales of my books, I started publishing on a platform called Draft2Digital, a service that allows me to format my eBooks for lots of other platforms in addition to Amazon like Barnes & Noble Nook and Kobo. You can check out January Jinx at https://books2read.com/u/mqX1d. You can expect Fatal February to come along soon. And in the coming months, I anticipate getting all the historical Calendar Mysteries and the Cinderella, P. I. fairy tale mysteries on it.

Print lovers, please note that Amazon will continue to be my publisher for the paperback copies of my books. To discover what’s available, check my Amazon Author Central page: www.amazon.com/Juliet-Kincaid/e/B00DB4HWRG.

And here’s a progress report on Die by the Sword, a standalone thriller set in 1988 partly at a Renaissance Festival. The book features a young ceramic artist stalked violently by the mysterious and murderous Sir Scourge, the Lord of Lamentation.

The protagonist’s name currently is Vanessa Mathison. You might recognize the last name from my Calendar Mystery series. And I might change Van’s first name to Meneatha after her great grandmother Arminta Meneatha Wilcox known mostly as Minty. (I need to do a family tree before I start the last draft.) I hoped to finish the current draft by the end of 2021, but didn’t make it. But now the book is in pretty good shape to leave simmering on the back burner while I do some other things like the Draft2Digital project.

I’m aiming for a Memorial Day weekend publication date for Die by the Sword or possibly Labor Day. Regardless, sooner or later, I’ll need some help with it. So, if you’d like to read an Advance Review Copy and give me feedback on it, please let me know.

Please stay safe and well, my friends, Juliet

 

 

 

August 2021 Newsletter

My Once and Future Novel (Part 2, I think)

Hi, All!

A few nights ago, I thought about retiring on my birthday coming up really soon on 9/11/2021. I’ll be eighty, and maybe it’s time to stop. I told myself that maybe I’d be happy and fulfilled reading and reviewing other people’s books and taking weekly art classes.

But who am I kidding? Nothing gives me more joy than being lost in the fiction I’m writing. Besides, it’s back. . . In this case instead of a monster, I’m talking about my once and future novel, the one that I’ve worked on for about three decades, the one set in part at a Renaissance Festival sort of event and in part at activities of a group similar to the Society for Creative Anachronism. This is a book concept that just won’t let me go.

Over the past thirty years, this book has gone from a fairly conventional detective mystery with one protagonist to suspense with quite a different protagonist. Overall, I think I’ve produced three different detective mysteries and two versions of the basic story as a novel of suspense. In fact, one of the challenges for me, now that I’m having at it again, is to locate scenes I vividly recall writing though when and in which notebook and which digital file, I’m unsure. I know that some of you have read an earlier version. In fact, I still have your comment sheets along with print-outs. But right now I can’t remember where I put them.

The characters have undergone several variations as well. For instance, I have two characters whose role is providing the protagonist (whoever the heck that turns out to be) with information about the Ancient Ways Society. The twosome started out as a lesbian couple, one white and the other Black. Eventually, they became an elderly man and not so elderly woman with a very large Great Dane. As I embark on the final version, I’m not sure I really need the dog. But I really can’t predict at this point.

The book also has a couple of working titles: Death in Shining Armor and Die by the Sword. I took a poll on Facebook recently and most of the people responding favored the first one, as did I. But once I really got into the first chapter, I decided that Die by the Sword was the better choice. But you know what? The book is alive and well and I’m looking forward to completing it.

Meanwhile, I’ve had lots of distractions. For one thing we’ve been dealing with a leaky roof and predatory roofers, but we’ve found a decent one now. But once the dust settles on that and other issues, I hope to plunge back to the book . . . I’ll keep you posted on the project next month.

Best, Juliet

 

April 2021 WiP Report

I hoped to report that I’ve finished my current Work-in-Progress, Apart in April, Book 5 of my Calendar Mystery series.

But it’s not happening, partly because my characters keep talking to me as I write. One of them will say, “How about I do this?” Another might say, “I wouldn’t do that! Take it out!” Or worst of all, some person in the book will say, “I’m bored.”

It’s practically axiomatic that every time a writer changes something, s/he introduces at least one error like a missing so there’s nothing for it but to edit each and every line of each and every page with a ruler on paper and/or by sliding the cursor down the margin, and/or reading each and every page word by word out loud at least once if not TWICE. (Did you see the glitch in the previous sentence in the previous sentence? [Repetition is another kind of glitch that often happens when the writer is switching stuff around.])

I’ve rushed the process before and ended up publishing a book or story that wasn’t ready yet. I’m not doing that this time. I have only forty pages to go in this draft, so it will be done by April 30 for sure. But then I will make myself take as long as the book and its characters demand for one last edit. After I’m done and I’ve tweaked the cover, too, I’ll begin the production phase, leaving time to set up the pre-order and all that other stuff. I’ll let you know when Apart in April is ready for you to pre-order at a reduced price.

In closing, an observation, especially for my fellow old fogey friends . . . At this stage of writing, I have to hold the entire three hundred pages of the book in fairly specific detail in my head. (Since I’ve made so many changes over the four drafts of this book, sometimes I have to go back and check the most recent draft to see what actually is in there.) A person with dementia can’t do that, and so I’ll end this WiP Report by highly recommending writing a novel as a preventive measure against senility.

Best, Juliet

P. S. It’s spring and doing stuff like potting these plants shown above is another distraction I’m dealing with.

 

Spring Things

 

You know what? Life isn’t too bad at our house right now. After all it’s spring. Plus I’ve had both my shots and Jess has had the first. Having them has lowered our stress and helps us sleep better.

 

 

On the slightly down side, my WiP is going slower than I’d hoped. This time it was supposed to be a quick final draft except for one last copy edit. But, I keep thinking up really cool plot developments, pieces of dialogue, and details. For instance, as I was working on Chapter 15 of Apart in April, the fourth novel and Book 5 of my calendar mystery series, I decided that the dashing detective Daniel Price should wear Navajo jewelry when he’s undercover as an itinerant salesman, so two young chambermaids get the impression that he’s been to Santa Fe. He hasn’t He bought the lot at Jesse James, Jr.’s pawnshop over on Main in Kansas City earlier in April 1901. Things like these make a story come alive, but they also might introduce errors like missing words or repeated phrases that must be found and fixed. Still, I hope to have the eBook of Apart in April out by the end of April.

Meanwhile, the boxed set of the first three novels and a really cool short story called “Detectives’ Honeymoon” is now available for only $2.99 at www.amazon.com/dp/B07QDKF413 and £ 1.99 at www.amazon.co.uk/dp/B07QDKF413 through Tuesday March 30.

And look for Old Time Stories, a collection of nonfiction and fiction that includes the original short story “The Shackleton Ghost,” for the discounted prices of $0.99 at www.amazon.com/dp/B07F4JL8D5 and £0.99 at www.amazon.co.uk/dp/B07F4JL8D5 from April 1 through April 7, 2021.

Till next time, stay safe and well. Best, Juliet

 

Been a rough month but . . .

Hi, Everybody!

Here’s the cover for the fourth novel, fifth book in my calendar mystery series featuring the former business girl, Minty Wilcox, now Price, and her dashing detective husband Daniel, in Kansas City, MO, a place that could get downright deadly a hundred years or so ago.

I had lots of trouble making this cover fit into the birthstone theme of the series. I mean what can you do with white for goodness’ sake? But finally this version is coming along though it needs tweaking here and there. FYI: I stole the lilacs from a lady’s hat that appeared in The Delineator of August 1901. And a while ago, my cousin Sarah Faye Morse Meurer very kindly sent me the photos of our grandfather Miles Smith and our grandmother Juliet Perkins Smith.

Here’s the blurb for the book: After a personal tragedy on Easter Sunday, April 7, 1901, Minty Wilcox Price runs away from home, strewing letters behind her like Hansel’s bread crumbs for her husband Daniel to find. Can he overcome his own grief and anger to figure out where she’s gone and with her solve the case of “The Ravished, Murdered Chambermaid”?

I’d appreciate any feedback on the cover and blurb you’d care to give.

As for the book itself, I hoped to be farther along with the final draft by now.  But life has thrown some interference our way this past month that has taken up my time. For example, though we didn’t lose our power or heat during the recent Arctic blast, our water pipes froze when the temperature reached 15 below here near Kansas City. But my daughter Jess and our next-door neighbor’s son made a sort of bucket brigade to bring water to our house. And our pipes thawed on their own when the temperature moderated a bit.

The cold also complicated our grocery shopping. Lately we’ve shopped on line, and then Jess drove to the store to pick it up. But there was no way either of us wanted to go out on snowy streets when it was 7 below zero outside. So we tried to reschedule at first and then to cancel. But apparently their shopping app doesn’t handle changes well, so the shopper shopped our order not once but twice. And even after several phone calls and twelve days, the charge remains on my credit card. Sigh . . .

But I’m making progress on my project overall, and probably I’ll meet my deadline, the end of April. Also I’m struck by the way I still learn lessons about the process, or in this case, relearn them. For example, yesterday I struggled all morning to get information about a new setting, a ranch in the Flint Hills of Kansas. Originally, I’d planned on asking a friend of mine if I could tour her family’s ranch. In a pandemic? Well, no, I literally can’t go there. So then I spun my wheels all morning looking for virtual tours and taking two dozen screen shots of prairie hills. But then finally, I remembered the sage advice I received back in the 80’s from a writer friend. “Think film,” she said. So then I CUT TO the front door of the farmhouse I needed Daniel to visit and blew that writer’s block up.

Stay safe and well, my friends. Get the shot soon if you haven’t already. (I have an appointment for next Wednesday.) Best, Juliet

 

P. S. Mischief in March, the third in my calendar mystery series, is only 99 cents from March 3 through March 9 at http://www.amazon.com/dp/B06XR1STRN
It’s also a penny less than a pound at http://www.amazon.co.uk/dp/B06XR1STRN

 

 

For an even better bargain, you can buy the boxed set that includes the January Jinx, Fatal February, and Mischief in March, the first three novels of the series, and the bonus short story “Detectives’ Honeymoon” from March 24 through March 30 for only $2.99 at http://www.amazon.com/dp/B07QDKF413  (British friends, for a similar bargain price, check http://www.amazon.co.uk/dp/B07QDKF413)

WiP Report January 2021

Last Friday, I finished what I hope will be the next-to-the-last draft of Book 5 of my Calendar Mystery series, set in Kansas City, a place that could get downright deadly a hundred years or so ago for a business girl named Minty Wilcox and a dashing detective named Daniel Price. (Just practicing my blurb here . . .) The next day we ordered BBQ carry-out for a celebratory dinner. Baby back ribs! Yum!

In its binder, the book weighs 6.4 pounds which makes for quite a weighty tome though I hope of course that it won’t feel like that for readers when it’s done. The text now is 306 pages and 86,489 words long. I started it on November 1 for NaNoWriMo, so it took me 83 days for an average of 1,042 words a day. That’s really not bad considering everything that’s been going on including a very weird holiday season, the pandemic, and the political turmoil.

An FYI for my fellow indie authors: whenever I start a novel, I format it for its eventual publication, that is, with 6” by 9” pages, 0.75” margins, 1.15 line spacing throughout including between paragraphs, 12-point font, usually Book Antiqua, all paragraphs except the first in a section or chapter indented 0.3”. I also mark all section breaks with <> <> <> because I never know where they’ll end up after revisions. Plus, I paginate the pages, create different first pages for the starts of chapters, and different odd and even pages for the rest. And yes, I type my first drafts and all the rest. All of this lets me get a feel for the overall proportions of the book and about where to place the plot points in later drafts.

For more guidance, check out my Novel Basics, a concise yet complete guide to brainstorming, drafting, and revising a novel available in print from Amazon. com and as an eBook at www.amazon.com/dp/B07K2LXFRP . . .

Now back to the report . . . If I can cut the 10% that Stephen King says in his author’s memoir On Writing he cuts from the first drafts of his books, Book 5 of my Calendar Mystery series will be around 78,000 words or 275 pages long. Hopefully, I will get it out by the end of April. (The tabs on the book shown in the photo on the left mark pages where I need to do some editing. Yikes!)

I’ll let you know how it’s going in next month’s WiP Report. Meanwhile, keep an eye out for the fun short story “The 9th Street Gang” free from 02/03/21 through 02/07/21 at http://www.amazon.com/dp/B079YYVTTX and Book 2 of the Calendar Mystery series Fatal February, on sale for only $0.99 at  http://www.amazon.com/dp/B017081JHM and £0.99 at http://www.amazon.co.uk/dp/B017081JHM from 02/10/21 through 02/16/21.

Novel Basics Card # 20

Novel Basics Card # 20
The Cover Card

The Cover Card asks the question,
“What’s my novel’s name?”

The wise organizers of NaNoWriMo say that those who have covers for their projects before they start drafting them are 60% more likely to write it that those who don’t. I think possibly that simply giving your novel a name helps make it real to you and so you’re more likely to write it.

The card I’m using as a sample this time isn’t a generic one like many of the others. Instead it’s a very rough draft of the cover I plan on using for my current WiP that also was the novel I drafted during National Novel Writing Month in November of 2018. Apart in April will be the fourth novel and fifth book in my cozy historical Calendar Mystery series. (Yeah I know the sketch on this card is crude and I’m so not apologizing for that. You shouldn’t be thinking perfection either as you make this last card.)

In the past I used photos I found in the great Dover book Victorian Fashion in America for the covers of the novels in this series. But for this book, I’ll use photos of my grandfather and grandmother on my mother’s side. And the title, like those of the first three novels in the series, states the month in which the book takes place, uses alliteration and/or assonance, is brief, and states the theme (or at least hints at it) or overall mood of the novel. Titles of the novels so far are January Jinx, Fatal February and Mischief in March.

So on your last card at least give the tentative title for your novel (a real name not Work in Progress), your name or the pseudonym you’ve always dreamed of using, and possibly an image for your cover.

You might want to put “ a blurb” on the flip side of your cover card. That is, in a very few words describe the novel you want to write. Here’s an example: “an action-packed thriller with a wounded hero.” Possibly my blurb for Apart in April will be “Driven apart by a personal tragedy, a runaway wife goes undercover as a detective. Meanwhile her husband struggles to win her back. But first he has to figure out where she has gone from the letters she strews behind her like Jack’s crumbs in the forest that contain clues of her whereabouts.” It’s way too long, but it’s not bad for now. I’ve got time to work on it.

I hope you’ve enjoyed this journey through twenty cards that we’ve taken together. For tips and suggestions on what to do after you’ve brainstormed your novel,  get your own copy of Novel Basics, a brief yet complete guide to writing a novel, in print for $8.99 from Amazon or the eBook version, now only $2.99, at http://www.amazon.com/dp/B07K2LXFRP

Novel Basics Cards # 18 & 19

Novel Basics Card # 18
The Reader Card

The Reader Card asks the question,
“Who will read my novel?”

By now, you probably have a fairly good idea of who will want to read your novel. For one thing, chances are good that your target or ideal reader reads the same sorts of novels as you do, and lots of them, too.

Try to get specific in identifying your ideal reader. For instance, if she reads women’s fiction, does she prefer cozy mysteries with women sleuths? Are the sleuths amateurs or police officers? Or does your ideal reader love romance novels? Must those books be wholesome and clean, with maybe a shy kiss at the end? Or does your reader relish erotica with lots of heavy breathing?

Is your ideal reader a male who enjoys a blood and guts, action-packed thriller with some very specific sex scenes?

As like as not, your ideal reader is the same gender as your protagonist and a similar age as well because it’s customary in publishing that the reader is about the same age as the protagonist of a novel. (In Young Adult fiction, the protagonist might be a bit older than the reader in order to serve as a role model.)

Long ago I had the fantasy that someday I’d write the book that everybody reads the year it comes out. I haven’t written that novel yet. But Suzanne Collins might have come close with The Hunger Games. A friend’s twelve-year-old granddaughter read those books and so have I, many decades older. Some of my contemporaries have read every one of J.K. Rowling’s Harry Potter books.

Speaking of that writer, Rowling has written and published four novels in the Cormoran Strike series so different from the Harry Potter series that she uses the pseudonym of Robert Galbraith. The target readers for those two series are very different and their expectations quite different as well.

Next we’ll talk a bit more about the reader as we discuss Card # 19.

Novel Basics Card # 19
The Intention Card
(Card # 19 is probably my favorite card from my entire pack.)

The Intention Card asks the question,
“How will my novel affect the reader?”

The novel is a tool of infinite possibilities, a sort of Swiss Army knife with a million blades. That’s one of the reasons I read. When I pluck a novel off the new mysteries shelf at the library and bring it home, I’m filled with hope that this novel will surprise me. Maybe the author will say something new or at least in a different way: tease me, thrill me, move me to laughter and to tears in the same book, make me think about the human experience in some new way, expand my life, or simply help me escape my troubling or mundane world for a few hours.

Note: our local libraries are all shut down right now. Yours probably is, too. But many still offer new books through Overdrive that you can check out and read on your tablet.

At this point, I’ll circle back to my brief history of plot by mentioning that Aristotle said the purpose of a tragedy is catharsis, to purge the audience with pity and fear by seeing a man fall from grace through his own hubris.

As for me, I believe that laughter is the best medicine for whatever ails you in life, so I like to make people laugh or at least smile when they read my novels and stories. And I give my stories happy endings.

So what’s the primary intention of your novel? Do you want to entertain your reader by scaring the heck out of him with your horror fiction? Do you want to make her feel sexy with your erotic romance? Or do you want to create a puzzle in a cozy mystery for your reader to figure out? Maybe you want to move your reader to empathize with other people who have survived great adversity, to understand some truth or theme about the human condition from someone else’s suffering that your reader can experience vicariously.

In addition, one of the best things about the novel is its ability to say something worthwhile. So give at least a tentative answer to the question the Intention Card asks.

We have one last card. And then your personalized Novel Basics pack will be complete. Join me next time to discover the identity of Card # 20.