You’ve probably noticed that so far we’ve mostly talked about the characters, the people of the book you’ll write. And maybe you’ve already noticed that your characters are fueling ideas for your novel. But before we move on to issues of plot, that is, driving the plot car to the end point of your journey or walking the plot tight rope, I’d like to point out a few more things about characters.
I’m a fan of mystery fiction, and mostly that’s what I read with a smattering of science fiction, fantasy and historical fiction from time to time. So the first point about characters relates to mysteries in particular, but really you can do this with the principal characters of any novel.
1) Everybody has a secret.
2) A character can play two roles at once. This happens very often when the narrator tells his own story in first person. Or the ally is the narrator as in The Great Gatsby. But it can happen in other ways as well. Perhaps the ally also serves to start the plot by coming to the protagonist for help.
3) Any character can play a different role from the one she started out as. For instance, in mysteries, the protagonist/narrator can turn out to be the killer. An apparent antagonist/suspect can turn out to be an ally. An ally, that is, the confidant or sidekick, can turn out to be the killer. The character that gets the plot rolling can turn out to be the killer. (I just love it when a skillful writer fools me. Don’t you?)
4) Sometimes you need more than one of any type of character. In a novel, quite a few characters can pose a threat to the protagonist accomplishing her goal. In Sara Paretsky’s Indemnity Only, for instance, a crime boss sends a couple of his goons to pick up Vic, the tough female private eye. In my own January Jinx, the first novel in my Calendar Mystery series, the protagonist, Minty Wilcox wants to find a suitable job in old Kansas City. But not only does the major antagonist interfere with her reaching her goal, but so does Minty’s mother who views her daughter’s wish to help with household finances as a sign of her own failure to manage them.
5) If you have trouble finding directions for where your plot car could go, ask your characters. They might surprise you with their inventive suggestions. Sometimes a character might suggest something outrageous. For instance, when I was drafting my second novel, set in a dystopian future, the antagonist wanted to kill the protagonist very early, but I couldn’t let that happen of course. But the antagonist’s attempts to kill the protagonist made for some really dandy plot developments.
Coming tomorrow . . . Previously, I’ve done the Novel Basics class live in about 90 to 120 minutes with a bunch of people busily creating their personalized packs of cards as we go along. But really right now, many of us have the time to explore some of the aspects of our novels. So tomorrow I’ll give you some tips and suggestions for brainstorming fiction more generally and characters specifically. See you then.