Diabetic? Who, Me? Part 3

Reducing the Risk

“The doctor says to keep doing what you’re doing and come see him in three months,” said my doctor’s nurse over the phone a few days after I’d had a follow-up blood test to the one of March 21, 2014, that showed me at high risk of developing diabetes.

All right! I thought.

Now, if you’ve read my original blog post of March 26, 2014 on the subject, you know that my initial response to the question “Diabetic? Who, Me?” was “No way” quickly followed by some research and the realization that I had indeed developed some symptoms of pre-diabetes including blurred vision, a ravenous appetite for sweets, and injuries slow to heal. And if you’ve read my follow-up blog of June 26, 2014, you’ve heard about some progress that I’ve made toward reducing my risk of developing diabetes.

Three months later, I’m happy report even more progress.

Following the eating plan designed just for me by a registered dietitian, I’ve lost a little more weight for about 12% of my starting weight. My BMI is now 22.7, well within the normal range. These stats sound good to me, so I’ve switched from weight-loss mode to weight-maintenance mode.

And I’m also happy to report, finally my waist measurement has dropped below 35 inches, pretty good for a woman whose waist has always been just two or three inches less than her hip measurement. (Like my Jazzercise instructor who came up with the line: I’m not shaped like an apple or a pear. No indeed, I’m shaped like a banana.)

The other day it just felt so good to put two pairs of slacks and a pair of shorts in the Goodwill giveaway bag because honestly I can’t keep them up anymore unless I tightly cinch my belt, not a stylish look. Right now, I’m wearing a new pair of cropped pants in the next size smaller than most left in my closet. And the belt I’m wearing is four notches in from where I used to buckle it. Hey, let me get up and do my happy dance.

Okay, that’s done and I’ll also report that my vision is no longer blurred and I don’t have any pain in my hands or even much stiffness. (T. V. has improved so I’m knitting more and that helps.) I did crave sweets the other evening, but I quickly dispelled the craving by eating a clementine.

All that said, I must admit to some disappointment when I actually read the report on my Hemoglobin A1c level. It has now dropped out of the high risk for diabetes zone into the increased zone, but only by two points, from 60 to 58.

Still that’s progress. And I will continue to do what I’ve been doing. Here are some things that have helped me make progress.

My daughter and I limit eating-out to three times a month. Most of our meals we prepare at home. One of my friends complimented me on the discipline required to lose weight. But honestly, it mostly just takes time: time to plan meals using my eating plan, to grocery shop, to fix meals, to clean up afterwards, and to record the calories and the carbohydrates I take in. A tip for success from me to you: Weight Watchers and Real Simple recipes help me get nutritious, enjoyable meals on the table fast.

Also, I try to stay on my feet and moving around at least three hours a day. My activities include walking the dog three times a day, Jazzercise three to four times a week, grocery shopping two or three times a week, and daily meal preparation. (Hey, it all counts.) Another tip from me to you: to avoid mid-exercise-class low blood sugar and subsequent collapse drooling flat-out on the floor, thirty minutes before class, I snack on a serving of Dannon Light & Fit Greek yogurt: 80 calories, 8 grams of carbs, 12 grams of protein. So good. (Peach is my favorite.)

Craig Johnson’s Any Other Name

Craig Johnson’s Any Other Name

Boy, howdy, can that man write!

A week or so ago, I needed something to read and so I started buffeting the nine or so new books close to my bed where I do most of my fiction reading. (So what if I spend lots of bucks buying hardcover fiction? As an addiction, my fiction fetish is comparatively cheap. Plus, unlike other consumables, you can experience the high of reading a really great novel more than once.)

Oddly, at first I couldn’t find anything to suit me. The next alphabet mystery? There are so few letters left now that I thought I’d save it a while longer. The latest, just published, from the brilliant Canadienne? I thought I’d save that one, too, since it will be another year before the next one. The next choice of my book club? Well, no, I like to read those closer to the discussion date.

And so, going lower in my stack, I came upon Craig Johnson’s Any Other Name. The acknowledgments set me back briefly since Johnson says right up front that this book takes place in the winter and at least three of his previous Walt Longmire mysteries include hip-deep snow and harrowing blizzards. I needn’t have worried, though, because Johnson uses winter especially well in Any Other Name. In fact, it might be my favorite for reasons I won’t describe because I’m not given to spoilers. But I bet you’ll love it, too.

But anyway, Johnson’s great personal charm that showed up even in the acknowledgments in giving floral names to his helpers for the book got me through my misgivings to the first page. And there Walt Longmire’s voice hooked me and I knew I’d found the book I wanted to read next. I never regretted my choice from first page to last.

The eleventh in the Walt Longmire series (counting the delightful novella Spirit of Steamboat) centers on the suicide death of an old friend of Lucian Connally, the retired sheriff of Absaroka County, Wyoming. As Walt and Lucian look into this, other possible crimes emerge and the whole case becomes very complex. The weather, too. Meanwhile, Walt’s daughter Cady is about to have her first child way across the country in Philadelphia and from time to time she calls him to remind him he must be present for this event. This is not easy when he’s. . . . Never mind. You’ll find out.

In keeping with my standard blogging practice of sharing what I learn from the books I read that help me write my own, I’ll offer this. Johnson is a master of the set-up and follow-through. So when Walt and Lucian are stuck waiting for a long, long coal train to pass on page 1, you can be sure that trains will figure importantly in the plot of Any Other Name. Boy howdy, do they ever!

For your additional pleasure, I’ve attached my first blog installment about Craig Johnson’s work, originally posted in August of 2011, when I was working on Walls, a Cinderella, P. I. Novel (now available as an eBook at www.amazon.com/dp/B00FQLQ2WI and as a trade paperback ISBN 978-0-9899504-1-1).

Craig Johnson’s Junkyard Dogs and Hell Is Empty

“Boy, howdy,” as Walt Longmire would say, is Craig Johnson ever a wonderful story-teller.

I’ve heard Craig Johnson speak twice, once on the book tour for Junkyard Dogs, the sixth in the series featuring Wyoming sheriff Walt Longmire, and the second time for Hell Is Empty, the seventh. Both times were delightful.

Both times he visited here, he wore jeans, a casual shirt, boots and a cowboy hat, reflecting a genuine need since Mr. Johnson lives on a ranch and starts his work day with chores before he holes up to write. On his first visit, he’d recently returned from France where he’d received the Nouvel Observateur Prix du Roman Noir. (His mysteries are very popular in France.) While in Paris he had an encounter with a group of French school boys that I think of as “Le Cowboy at the Louvre,” a story Johnson told with great humor and flair.

I’ll give you highlights of Mr. Johnson’s other presentation at the end of this discussion. Before I start, here’s an update on the WiP.

This week I finished the fourth draft! A few whistles and a little applause, but don’t go on too long because I still have lots of work to do. One thing I’ve noticed is a big difference between the tone, voice, and style of the first half of the book and much of the second part. The former is pretty dark, formal, fairly literary. The latter is lighter, informal, chattier. In my fifth and I hope, final draft of this book, I really need to make those elements consistent throughout the book.

Right now, though, I’m wondering whether to go light or dark, but a comparison/contrast of Junkyard Dogs and Hell Is Empty gives me much needed guidance.

Hooks

Junkyard Dogs begins out-and-out pratfall funny as Walt Longmire tries to take in the fact that an old man had been up on the roof of a house on an icy midwinter day and secured by a rope to an Oldsmobile when his grandson’s wife drove off.

Hell Is Empty begins in a much darker way with Walt Longmire feeding a hamburger to Marcel Popp, one of three murderers the sheriff is helping to transport. Popp has just threatened to kill Longmire for the twenty-eighth time so far.

Characters

Aside from the regulars, many of the characters of Junkyard Dogs are comic as well. For instance, Geo Stewart, the old man hauled off the roof and dragged down the icy road, waves to a neighbor as he slides by. Stewart’s grandson Dwayne seems pretty dim and Dwayne’s wife Gina initially plays the vamp.

There’s nothing funny about the antagonists in Hell Is Empty. Besides Marcel Popp, the sheriff and his deputy are transporting Hector Otero, a murdering gangbanger from Houston, and most sinister of the three, Raynaud Shade, a Crow Indian who has visited the Bighorn Mountains before.

Plot development

The action of Junkyard Dogs continues in the comedic vein quite a ways into the book with the discovery of someone’s missing thumb in a cooler as well as a revelation about Walt’s former English teacher that I won’t share because I don’t want to spoil the surprise.

In Hell Is Empty the action escalates and the body count eventually is very high. Not surprisingly given the title, Walt must travel into hell before the book’s over. Both books are winter tales, but the weather provides much more grueling obstacles for Walt to conquer in Hell Is Empty than in Junkyard Dogs. In many ways also the plot of the sixth book is grounded in reality while in the seventh Walt goes on what is, in many ways, a mystical and spiritual journey.

Settings

The settings of Junkyard Dogs tend toward the interior and the manmade. Several important scenes take place in a hospital, for instance. Settings also include a huge junkyard guarded by two wolf-dogs and filled with trashed cars, stacked one atop the other and going decade by decade back in time.

More of the scenes of Hell Is Empty take place outside where wind, darkness, and cold threaten Walt’s life. As in Randy Wayne White’s Deep Shadow, nature is an adversary in Hell Is Empty.

Style, tone, and voice

Both of Johnson’s books are first person narratives, that is, told by Walt Longmire in Longmire’s voice. But inevitably the more comedic characters and plot of Junkyard Dogs make that book lighter.

When I planned this installment, I thought I should just stick to Junkyard Dogs because, long-time lit major that I am, I kept trying to trace all the illusions to Dante in Hell Is Empty, not just in the overall plot but in the characters’ names. I mean, there’s a waitress named Beatrice, for goodness’ sake, and another one named Virgil. I was going crazy doing that.

I don’t mean to imply that Johnson sprinkled in the literary allusions superficially because he didn’t. The references are integral to the plot. He set it up from the start by having Walt’s deputy, Santiago Saizarbitoria, reading a battered copy of Dante’s Inferno that Walt later takes on his journey. The style of the book doesn’t come off as literary. And Johnson does what all good writers do when they rework stories like journeys to hell. He transforms it and makes it his own timeless story, yet of and for our times.

The lesson for my WiP

I’m thinking that since I’m reworking fairy tales, in particular those known to most people through Disney movies, I should stick to the lighter side. In other words, I should stick to the lighter tone, style, and voice of Junkyard Dogs instead of the darker side of Hell Is Empty.

And finally, as promised . . .

The second time I heard Johnson speak, the word had gotten out about how great he and his books are and the place was packed. Again, he displayed his wonderful sense of humor as he told us about his involvement with the production of Longmire, a series coming to A & E in 2012. It sounds great. I’m sure I’ll love it and I bet you’ll like it too.

This closing comment from 9/11/14. I have loved the Longmire series and thought Season 3 especially strong. And so the news that A & E has cancelled the series disheartens me. However, at this time, it’s possible that another channel will pick the series up.

Sally Berneathy’s The Ex Who Wouldn’t Die

Sally Berneathy’s Lively Ghost

Sally Berneathy puts us on a speeding Harley with Amanda Randolph at the pulse-pounding start of The Ex Who Wouldn’t Die, the first in her Charley’s ghost series. Sally keeps the action going through a terrible crash and Amanda’s rescue by her husband Charley, who cajoles her, berates her, and bullies her into crawling up an embankment to the road so someone will find her.

Only thing: Charley is acting weird. He says he can’t call 911 on her cell. And when she tries to grab him, she falls right through him. This is logical since Charley’s dead, murdered by someone who’s also out to kill Amanda.

I’ve written about the start of The Ex Who Wouldn’t Die partly to show how well it hooks the reader. But also Sally shows great range in this mystery with a light touch. In fact, some of my favorite parts are the quiet scenes in which we visit Charley’s family home. Again, Sally presents plenty of details–fried chicken on a flowered plate, the songs of the mockingbird Amanda hears from the porch–to let us experience the place in the country where Charley grew up. This house and Charley’s mom exude calm amid the calamities of Amanda’s life. And I found these sections powerful and touching. To me, these scenes are the heart of the book.

And overall, though this mystery focuses on a ghost, its pages are very much alive.

I also recommend Sally’s Death by Chocolate mystery series. Featuring another troublesome husband, those mysteries are also light–downright hilarious in spots.

Cinderella: Living Happily Ever After

Juliet Kincaid’s Cinderella, P. I. Fairy Tale Mysteries

Cinderella PI Kindle Cover 2-4-2013bMost of us heard or read fairy tales when we were young or view Disney versions of stories like Snow White and the Seven Dwarfs. We still can and do as grown-ups. For instance, Disney recently has brought us Tangled, the story of Rapunzel, one of the folktales transcribed by the Brothers Grimm and published in 1812. On television we can watch Grimm or the family friendly Once Upon a Time. As many of you know, I’m writing a series of mysteries featuring Cinderella as a private detective twenty years, three kids, and a few extra pounds after the ball.

How did I come to write these mysteries?

Well, back in 1996 at a writing conference I heard someone say that it’s very hard to write a complete story in fewer than 2,000 words. (This obviously was before the rise of flash fiction that typically tops out at about 500 words.)

Shortly after that, with this challenge in mind, I set out to write a story in fewer than 2,000 words.

Why did I choose Cinderella?

Now, at the time, I happened to have a copy of Writing and Reading Across the Curriculum by Laurence Behrens and Leonard J. Rosen in my office at the community college where I taught writing for twenty-five years. This textbook includes a unit on fairy tales, specifically “Cinderella,” the best-known fairy tale in the world. Indeed, there are more than 700 versions of this fairy tale including traditional versions handed down from generation to generation before they were written down and published by folks like Charles Perrault in the Mother Goose Tales of 1697 and literary versions like Tanith Lee’s “When the Clock Strikes.”

FYI: the earliest version that scholars have a specific date for–between 850-860 A.D.–is the Chinese story of Yeh-hsien, who had tiny feet. One of the more recent versions is Marissa Meyer’s Young Adult novel Cinder, first published in January of 2012, in which Cinderella is a cyborg.

But back to the start of my journey with Cinderella, I’ve always been intrigued with the “happily ever after” tag that ends many fairy tales. I feel that if you’re bored you’re not happy. So what would keep Cinderella from getting bored in her life with Prince Charming? I asked myself. And as a reader of crime fiction, I promptly decided that my Cinderella would be a private investigator. (I was terribly naïve about how busy Royal families can keep with their duties, causes, etc.)

Before I started writing, I made some technical decisions to keep the story short. These included using a first person narrator who could provide background information succinctly without sounding like a manual. Also I chose present tense in preference to past tense, so I wouldn’t get mired in “haditis.” (After I heard an agent say she never represented fiction written in present tense, though, I switched to past tense.)

Once I made those decisions, my Cinderella started talking to me, as characters often do. And lucky for me, she has continued to do so through twenty-nine stories and two novels.

Also lucky for me, the fairy tale provides certain expectations that made writing go more easily.

For instance, most folktales use the same plot line. The protagonist wants something. In the classic Grimm version of the tale, for instance, Cinderella, called Ashputtle in this rendition, wants to go to the ball thrown by the King whose son is in need of a wife. To get there, Ashputtle must surmount several obstacles. But never fear, she prevails, dances with the Prince and after a few more challenges, marries him and lives happily ever after.

I also had a setting in time and place. My Cinderella’s world is sort of like our middle to late 19th century. People still got around in horse-driven carriages. But once my heroine started talking to me in a voice rather like my mother’s, I got in at least a few contemporary touches. That first story, for instance, starts with “So that morning, as usual, I’m out on the balcony on the treadmill, trying to run off a few extra pounds. . . .” The treadmill is mechanical, but her obsession with her weight is 21st century.

The basic plot supplied important characters. In her happily ever after, Cinderella has a charming husband, but she also still has her stepmother and stepsisters, collectively called the Steps in my mysteries. She also has a helper, a fairy godmother. In “Cinderella, P. I.,” though, the shoe is on the other foot, so to speak, and Cinderella helps her fairy godmother find her magic wand that’s gone missing.

When you work with such a rich tradition as folktales provide, often serendipity operates. For instance, in the first story I needed someplace for the fairy godmother to live. And what should appear in my head, but the little cottage in the woods formerly owned by the Three Bears. Plus I never quite know who will show up in these stories. For instance, when I needed to get my protagonist somewhere far away in a hurry in “Cinderella and the Usual Suspects,” she flew “Air Mother Goose.”

Along with the basics, the original story has certain logical yet sometimes unexamined elements. For instance, logic demands that our heroine’s name is actually Ella with “cinder” a pejorative prefix. Indeed, in my stories, Ella’s royal in-laws insist that the “Cinder” be dropped. Also, implicit in the basic tale is the story of an abused child and how she prevails over an unhappy childhood without losing her inherent kindness and sweetness of character.

One last thing, it’s logical that Ella missed out on her education and so she doesn’t speak like you’d expect a princess would. As a result, even as I wrote the last draft of Wings, a Cinderella, P. I. Novel, I couldn’t always predict what my Cinderella would say and how she would say it. I hope she keep surprising me as she continues to live happily ever after in my stories and novels.

Walls, a Cinderella, P. I. Novel is currently available as a Kindle eBook at www.amazon.com/dp/B00FQLQ2WI and as a trade paperback: ISBN 978-0-9899504-1-1.

Wings, a Cinderella, P. I. Novel is now available as a Kindle eBook at www.amazon.com/dp/B00LGXFB2W.

Cinderella, P. I. and Other Fairy Tale Mysteries is available as a Kindle eBook at www.amazon.com/dp/B00GMMUSTI.

COMING SOON: two more story collections featuring Cinderella twenty years, three kids, and a few extra pounds after the ball: Cinderella Around the World and Cinderella and the Holy Grail.

 

AUTHOR BLOG CHAIN

Author’s Blog Chain

My friend Lisa Daly has tagged me to follow her in the author blog chain. I’m very excited about the publication of her first novel, Mystery, Ink: A Novel Way to Die. You can find more information about it on Lisa’s website: http://www.lisakaydaly.com.

Here are my answers to four basic questions about my work.

1. What are you currently working on?

Right now I’m about a quarter of the way through the first complete draft of Wings, a Cinderella, P. I. Novel. (I’ve already written parts of it.) It’s the second of two novels about Cinderella, twenty years, three kids and a few extra pounds after the ball. In the first she’s been convicted of a heinous crime she didn’t commit and exiled far to the north of the Kingdom of AzureSky. And she has to escape the walls that confine her. In Wings she flies home on Mother Goose to save her loved ones and to set the Kingdom straight after a villain and his minions have severely messed it up.

2. How does your work differ from others?

Typically, stories about Cinderella are for the young. Mine are for grown-ups, though they often contain some of the whimsy, charm and humor that people of all ages like in fairy tales. Though firmly in the fantasy realm, the Cinderella, P. I. novels and stories have a contemporary edge and are also mysteries.

Besides the Cinderella, P. I. novels and stories, I have begun publishing a series of historical mysteries set in Kansas City beginning with January Jinx in 1899. In these books, I’m trying for a light approach to historical fiction. I include humor, let my protagonist flirt with a good-looking stranger, and avoid extreme violence.

3. Why do you write what you write?

The simplest answer is that I habitually read mysteries, so that’s why I write mystery fiction. My second favorite fiction genre to read is fantasy. This partly explains my gravitation to fairy tale fiction. (I wrote “Cinderella, P. I.,” the first story in the series in 1996, long before the debut of Once Upon a Time and Grimm on television.)

The longer and more complex answer is that I’ve always enjoyed reading fiction that allows me to escape from my fairly pedestrian life, that is, to go on adventures in faraway places, long-ago times, and never-never-lands with characters I can identify with. I don’t like being in the heads of creepy people and I prefer happy endings to sad ones. I enjoy humor and wit. And I try to write the same sorts of fiction as I like to read.

4. How does your writing process work?

As a retired teacher of writing, ironically I find this question a little hard to answer. I guess this is because what gets me started on a story can be so mysterious. For instance, I wrote the first Cinderella, P. I. story as an experiment. I’d been to a writers’ conference and heard someone say it’s very hard to write a complete short story in fewer than 2,000 words. (This was before the rise of flash fiction.) So I decided to try to write one. I fixed on Cinderella as a protagonist because a textbook I used in a course I taught had eight different versions of the fairy tale. Plus I was intrigued with “happily ever after.” To my mind, if you’re bored, you can’t be happy, so what could Cinderella do twenty years, three kids and a few extra pounds after the ball that would keep her busy instead of bored? Well, solve cases. I decided to use first person, so any exposition would sound like dialogue, and present tense to avoid using “had” too often. Then of course, my Ella started talking to me, and the story took off.

A few pointed questions help me on my way. Here they are and in the order I like to ask them. Who wants (or needs) what? Does (s)he succeed? [“Yes” and “no” are less fun than “yes but” and “no but.”] What obstacles can I throw in this individual’s path?

Once I get tentative answers to these questions, I start shaping the plot according to standard plot structure described in books like Robert J. Ray’s The Weekend Novelist: Part 1, the Set-up; Part 2, the Development; and Part 3, the Resolution. Part 1 needs a hook to start the story and to grab the reader’s attention and plot point one to set up Part 2; Part 2 needs to develop the set-up plus a midpoint or turning point and plot point two to set up the ending in Part 2; Part 3 needs a crisis and a resolution/denouement. When I have only a few obstacles, aka plot complications, I write a story. Lots of obstacles and I write a novel.

Once I’m involved in a project like Wings, I try to work on it everyday so I don’t lose my momentum. Also, I try to follow the common advice to write the initial draft from start to finish as fast as I can. The revising process takes longer as I do lots of revisions, often attacking different issues in different drafts. For example, I try to fill “plot holes” in earlier drafts and work on style including readability in later ones. Early drafts go fairly slow. Later ones can go very fast.

You know what? There is another question, sort of a Question 3b. Why do you write? My answer? Writing makes me happy. It’s as simple as that.

You can buy Cinderella, P. I. and Other Fairy Tale Mystery Stories as a Kindle eBook (www.amazon.com/dp/B00GMMUSTI) or trade paperback. Walls, a Cinderella, P. I. Novel is available as an eBook (www.amazon.com/dp/B00FQLQ2WI) and trade paperback. January Jinx is now available as a Kindle eBook (www.amazon.com/dp/B00HSSSBE4) and the trade paperback is coming soon.

It’s my pleasure to end my contribution to this Authors’ Blog Chain by tagging my friend Theresa Hupp.

MTHupp pic

Theresa is a writer of fiction (novels and short stories), essays and poetry.  She is currently working on a series of novels about the Oregon Trail in 1847 and life in Oregon and California during the Gold Rush. You’ll have to read her post next week to find out why she is writing historical fiction on this era of American history. She has worked as an attorney, a mediator, and a Human Resources executive and consultant. You can follow her blog, Story and History, at http://mthupp.wordpress.com/ or follow her on Facebook at Theresa Hupp, Author, at https://www.facebook.com/TheresaHuppAuthor

Theresa is the author of Family Recipe, a collection of essays, stories, and poems about family life.

Family Recipe cover Hupp

 http://www.amazon.com/Family-Recipe-stories-essays-families/dp/0985324406/ref=la_B009H8QIT8_1_2?s=books&ie=UTF8&qid=1392327751&sr=1-2

 

 

 

COVER STORY (Part 2)

DIY Covers for Self-Publishers

1. For the cover of January Jinx, the first in a series of historical mysteries set in Kansas City around 1900, I needed an image to work from. And I’d already decided I wanted something distinctive. This meant clip art was out. And if I was to have half a chance of making money, I couldn’t hire anyone to do it.

Luckily, when I started researching my calendar mysteries, I bought a bunch of Dover books. These included Victorian Fashion in America, edited by Kristina Harris. Among the vintage photos was this one:

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With some cropping, it would fit inside a frame neatly and so I would avoid the kind of linear design that had caused Cinderella on the covers of some of my fairy tale mysteries to lose her head and legs in thumbnails. Plus, I loved this young woman’s cocky pose. Still, I decided not to include the bow tie, as jaunty as it was. And her hat was much too big and fancy for my protagonist’s workday hat. So I used this hat as a model instead.

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And finally, I wanted to use my own grandmother’s face rather than that of the charmer in the first reference photo.

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(This is Juliet Perkins Smith for whom I’m named.)

2. On the basis of these decisions, I set to work on the cover of January Jinx.

I did a number of color tests to get the right color for Minty Wilcox’s garnet red suit. Here’s a sample of a color text.

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I laid out the cover to fit a 6″ by 9″ format so I wouldn’t need to do too much in Photoshop. I played with fonts, printed samples, and decided on Trajan Pro. The photo below shows an early version of my cover layout.

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Then I ran into trouble with the frame. I did the outside edges, but I couldn’t figure out how to do the inside points. I asked for help from Barbara O’Leary, my art teacher, who said, “It’s just geometry, Juliet.” Waving my hands hysterically, I shouted, “Do you know how long it’s been since I had geometry?” Once Barbara showed me how, I quickly finished the frame.

Next I transferred my reference photo to my watercolor paper. Now, my mode of doing this is crude. I make a photocopy, reducing or enlarging as I need to. Then I cut the image out and draw around it on my paper. Finally, I refine the image with pencil.

Here’s where I ran into trouble, lots of it, on my model’s right hand, the chair, and the girl’s face. With such a small painting, her eyes were barely an eighth of an inch wide. So even the tiniest slip of the pencil tip made them cross. But the principle of simplifying held me in good stead with all three problems. Minty’s face ended up not looking much like my grandmother’s, though.

The actual painting went along well except I accidentally got Alizarin Crimson a few places where I didn’t want it. Mostly I fixed those glitches with the brush, but one I left to fix in Photoshop. Here’s a photo of the cover in progress showing my pattern and the suit with a Payne’s Grey undercoat.

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(I cut out a copy of my grandmother’s face and taped it to the copy of the first reference photo.)

3. Using Photoshop I completed the cover. By the time I did the cover of January Jinx, I already knew how to crop a simple image, to insert text, to adjust image size, and save a cover as a jpg file. To these skills and with advice of three different people, I added correcting images to my Photoshop skills. And so I removed the extra bit of Alizarin Crimson from the top inside of the frame. Here’s the finished cover.

jjcov1-10-14_edited-1

As usual during the process of publishing my own work, I learned a lesson. Reducing an image to such a small size creates problems like the one I had with Minty’s eyes. So the next time I do a cover I plan on painting the image larger and reducing it in Photoshop. I have the skills for that, I think.

By now you might be asking why I go to all this trouble doing my own covers to save some money. The answer’s simple. The covers of my books and stories may seem a little amateurish, but they look like no one else’s. They stand out among other books on Amazon sell pages and on bookstore shelves.

January Jinx is now available as a Kindle eBook (www.amazon.com/dp/B00HSSSBE4) and the trade paperback is coming soon. You can buy also Cinderella, P. I. and Other Fairy Tale Mystery Stories as a Kindle eBook (www.amazon.com/dp/B00GMMUSTI) or trade paperback. Walls, a Cinderella, P. I. Novel is available as an eBook (www.amazon.com/dp/B00FQLQ2WI) and trade paperback.

 

Cover Story (Part 1)

Lessons Learned

By the time I needed a cover for January Jinx, a light-hearted historical mystery set in Kansas City around 1900, I’d already done cover illustrations and design for several stories and two books, plus the theme for my website.

Here are some of the lessons I’d learned.

1. If I had any chance of making money publishing and selling my work, I couldn’t keep hiring help. I had to learn to do everything myself. For example, I paid a friend $150 to clean up the cover painting for my award-winning short story “Cinderella, P. I.” He also added the text to it and created the files needed to publish the story as a Kindle eBook. At 35% of $0.99, it would take 432.9 sales to recoup that expense. (I’m not there yet.)

Cinderella PI Kindle Cover 2-4-2013b

2. From the trouble that my friend had cleaning up the image for the first cover in Photoshop, I learned that I needed to create as clean an image as possible with pencil and paint. (Didn’t he do a great job, though?)

3. I paid my friend another $50 to complete the cover of the second short story “Cinderella, Undercover.” (I haven’t made that $50 back either.)

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My daughter helped me add the frame and text in Photoshop to the cover of the third story, “Cinderella’s Giant Case.”

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But she’s very busy with her own work, so I hesitate to ask her for too many favors. So I knew that sooner or later I needed to master some basic aspects of Photoshop. This I resisted for a long time by making copies of the cover paintings, printing the text onto the copies, and formatting these as jpgs in Photoshop. But in this process the colors faded, and I lost details, especially on the cover of Walls, a Cinderella, P. I. Novel.

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And before I continue, I want to thank my daughter for her help with the cover of “Cinderella’s Giant Case” and GK for his help with the two covers and for all his generous freebies later on, especially when I’d passed into hi-tec anxiety and sat stooped, twitching with frustration, over my keyboard.

4. Gradually I learned, mostly because of my limited graphic arts skills, to keep the cover images simple with the overall design fitting a 6” by 9” format and to limit the contents of a cover to the title, the image, and my name.

5. Here are two lessons about cover design I learned that I sort of wish I didn’t have to know: It’s not a good idea to use an extremely vertical cover image of my p. i. because Facebook whacks her head and feet off when it posts the thumbnail of the cover. It’s also not a good idea to have a really horizontal image like the one I did of Cinderella for my website because Facebook chops her off at the shoulders and hips.

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I’ll leave you with that grisly image in your mind until next time.

Meanwhile you can buy the three stories I’ve mentioned individually as Kindle eBooks or these stories plus nine more in Cinderella, P. I. and Other Fairy Tale Mystery Stories as a Kindle eBook (www.amazon.com/dp/B00GMMUSTI) or trade paperback. Walls, a Cinderella, P. I. Novel is also available as an eBook (www.amazon.com/dp/B00FQLQ2WI) and trade paperback. January Jinx is now available as a Kindle eBook (www.amazon.com/dp/B00HSSSBE4) as well.

Best, Juliet

Hello Again, World!

Two months ago some pervert hacked my website and I was so offended that I took my website down. But more than one person has pointed out that a writer who publishes her own work needs a presence on the Internet, some central address beyond her Facebook and Twitter pages. So here I am again.

In this first installment of my blog reborn, I want to talk about what sorts of posts I made in the past before I lay out plans for future posts.

(Please don’t worry about my losing my previous installments. When I was in graduate school at Ohio State, I had a class with Richard D. Altick, the great Victorian scholar and author of the lively book called Scholar Adventurers. Altick warned us in no uncertain terms to make copies of our dissertations, even going so far as to advise us to keep a copy in the freezer in case the house burned down. So now I print hard copy of all my work. I also back up all my work on my computer and to other devices that now include an auxiliary hard drive. If the house burns down, I can grab it and run. This discussion reminds me to copy my finished books to the flash drive I keep in my purse in case the house burns down while I’m out and about.)

Back to my past blog: For nearly two years, as Juliet Kincaid, Fiction Addict, I wrote about the lessons that I learned from the books I read–mostly mysteries–that help me write my own, fairy tale mysteries featuring Cinderella, P. I., twenty years, three kids, and a few extra pounds after the ball. These essays often included very detailed analyses of fiction I admired along with how I could apply those insights to my own work.

They were lots of work, you bet your bippy, sweetheart. For instance, I spent nine hours (three writing sessions for me) on a piece about James Church’s superb A Corpse in the Koryo. These nine hours were in addition to reading it.

Downside: Spending that much time every other week on somebody else’s work severely cut into my own writing and slowed my progress. And I simply can’t take the time to do that sort of blog now. (However, this past year, I’ve occasionally republished some of these blogs as “golden oldies” with updates on the writers’ careers and how I’m doing on my own “Work-in-Progress.” I might do some more of that.

Later in 2012 I also began to write about myself as a Late Bloomer, someone launching a career after age 60. Also I reflected from time to time on aging generally including where I’ve been, where I am right now, and where I’m going.

These feel more comfortable to me for future subjects though I reserve the right to write about just anything I please. Hey, there are among the perks of being an old gal.

Enough for now. You can expect more installments on the second and fourth Thursdays of every month. To receive notifications, please subscribe to my blogs through RSS.

Best, Juliet

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Currently available as Kindle eBooks are five of my fairy tale mystery stories including the first, “Cinderella, P. I.,” and Walls, a Cinderella, P. I. Novel. All feature Cinderella twenty years, three kids and a few extra pounds after the ball.

You’ll find “Cinderella, P. I.” at www.amazon.com/dp/B00BAZPXEM and Walls, a Cinderella, P. I. Novel at www.amazon.com/dp/B00FQLQ2WI.

Follow me on Twitter: https://twitter.com/JulietKincaid. Friend me on Facebook: https://www.facebook.com/juliet.kincaid.