Edward Marston’s Exciting Railway Detective

The Railway Detective by Edward Marston

A Review by Juliet Kincaid

The first in Edward Marston’s Detective Inspector Colbeck Mystery series, The Railway Detective has lots to offer the historical mystery fan.

Marston brings mid-19th century Britain to life with vivid descriptions of places like London’s Devil’s Acre, for one example, and for another, the Crystal Palace, the site of the Great Exhibition in 1851.

Marston’s gentleman detective Robert Colbeck is both capable and clever. Marston presents lower class characters like a moneylender named Isadore Vout with gritty, almost Dickensian detail. Nut he also gives us members of the growing middle class and the gentry. He provides Colbeck with a love interest, the lovely Madeleine, a damsel in some distress.

The story includes exciting action like a train robbery and train wreck near the start of the book.

The plot is solid overall, but this reviewer has one slight quibble with it, though. Time and time again, Marston lets Colbeck pursue leads right up to almost catching a bad guy, only for him to be a little too late. At points like those, Marston cuts from the action with the detective to a scene with the current bad guy. To my mind, these are slight plot spoilers that bleed away some suspense and tension here and there. I sort of changed my mind about this, though, when near the end of the book . . . Well, you’ll get no spoilers from me.

If you’re hankering after a visit to Victorian England, I strongly recommend The Railway Detective.

 

Good deal for readers

MW

Here I am, all dolled up as Minty Wilcox, the heroine of my Calendar Mysteries, might have been if she went to a party in 1900. January Jinx, the first in the series, is available as an eBook for only $.99 from April 21 through April 27 at www.amazon.com/dp/B00HSSSBE4.

Marching On

WiP Report # 17

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Sorry, but I couldn’t resist the pun in my title. You see, the current Work in Progress, the third in my Calendar Mysteries, takes place in Kansas City, a place that could get downright deadly a hundred years or so ago, in March 1900 and it’s called Mischief in March.

One of the most fun things about this WiP is working on it in springtime. Now I realize that probably daffodils and other flowers are blooming in 2016 three to four weeks earlier than they did in March 1900. Still, my heroine Minty Wilcox might very well see crocus like those pictured above blooming in a sheltered spot in front of her house.

Now, I must admit that I’m pretty far behind schedule on this book from where I’d hoped to be. My original concept for the series was to bring out a book a year during the month in the title. I managed to bring the eBook version of January Jinx out in January 2014 and the print version in January 2015. But I didn’t get Fatal February out until November 2015. (Sigh.)

Here are some reasons why I’m behind schedule.

1) If you’ve kept up with my periodic WiP Reports, you know that I wrote a 54,000 draft of Mischief in March during National Novel Writing Month 2015. But due to one thing and another, I didn’t get back to it until February 18.

2) And even then, it took me quite a while to regain my momentum. Tip to all you other writers out there: do it every day, so you don’t lose your momentum. So far my progress has been slow with an average production of 835 words per day. This is about half of the NaNoWriMo goal of 1,667 words a day.

3) As you might be able to tell from the photo of a corner store around 1900 below, I’m doing research as I go along. (In Mischief in March, Minty Wilcox, two of her country cousins, and the series villain visit a neighborhood grocery store similar to this one. Researching as I write also has slowed me down.

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But let’s shift to the upside here.

I’m telling myself that doing research as I go along might save me time in the long run since I’ll probably write fewer drafts than the ten or twelve January Jinx required. In fact, even though I did some research as I went along, Fatal February required only four drafts plus an overall line-by-line edit.

Some good news: last week my process sped up, and without even noticing, I blew through plot point 1, that is, the moment at which the hero (or heroes) begin the journey or the detective (or detectives) actively take on the case. That happened at 19,418 words on page 70. Multiply those stats by four and you get 77,672 words and 280 pages, a very nice size for a first draft. If I keep up the pace of 835 words a day, I should finish the current draft around the end of May.

If you haven’t read the first two in the series, January Jinx is available as an eBook at www.amazon.com/dp/B00HSSSBE4 and Fatal February is available as an eBook at www.amazon.com/dp/B017081JHM. Both are available as trade paperbacks through Amazon.com.

If you have read the first two Calendar Mysteries that tell the story of Minty Wilcox and Daniel Price from newly met to newly wed and beyond, please review them on Amazon and Goodreads. As the old wisdom goes, word of mouth sells. (Of course sex sells, too. I’m working on getting some sex into Mischief in March. Minty and Daniel are definitely up for it.) And online reviews are the 21st Century version of word of mouth, one kind at least. Just a few sentences of positive comments help and I would appreciate it very much. All the best, Juliet

Encouraging Feedback on Fatal February

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My dear friend and fellow writer Anne Bauman recently wrote me this letter of praise for Fatal February, the second calendar mystery. (I’ve omitted or rephrased here and there to avoid spoilers.)

Dear Juliet,

 Congratulations on Fatal February, another terrific read. Yes, I enjoyed it immensely, both as a reader and a writer. Between the lines, it reveals lots of work, thought, skill and care.

It seems to me that your characters were even better developed than in January Jinx, though the characters were well-done in [it], too. In the second novel I enjoyed the actions and especially the dialogue. Each character is distinctly developed as his own person.

Minty seems to be maturing and improving as a character. I like the way you played off [Daniel Price, the love interest] to help develop the personality of each. It helps the reader to see Minty more clearly as she interacts with the other characters.

Of course, I always enjoy reading about Kansas City around the turn of the century. Since my grandmother was a young woman at the time of your books, it’s pleasant to imagine what K. C. was like at that time and how it helped her develop her independence and self-assurance. I like the details you use to develop Kansas City as a character, too.

All in all, Juliet, you’ve created a masterpiece and I’m now looking forward to March.

Thank you so much, Anne. And I’m happy to tell you and other readers that I’m working on Mischief in March, the third Calendar Mystery featuring Minty Wilcox and Daniel Price in Kansas City, a downright dangerous place a hundred years or so ago.

If, dear reader, you haven’t read the first two in the series, January Jinx is available on Kindle at www.amazon.com/dp/B00HSSSBE4 and Fatal February at www.amazon.com/dp/B017081JHM. Both are also available as trade paperbacks through Amazon.com.

And if you like these books, please review them on Amazon and Goodreads. Just a few sentences help. I would appreciate it very much. All the best, Juliet

P. S. Didn’t my daughter do lovely work on the cover of Fatal February?

Phenomenal Flavia

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A Guest Post by Diann Markley

On Saturday January 16, 2016, at the meeting of the Mystery Writing Group of the Border Crimes Chapter of Sisters in Crime, my friend Diann Markley presented a thorough and very insightful analysis of Alan Bradley’s The Sweetness at the Bottom of the Pie. Here are highlights of her presentation.

The Sweetness at the Bottom of the Pie by Alan Bradley is the story of a precocious eleven-year-old girl living in England in the 1950’s. Bradley has several problems to overcome in making Flavia de Luce believable as an amateur investigator.

The police are neither incompetent nor comical, yet as with any main character, Flavia must be the one to solve the mystery. The author carefully sets up this outcome by having Flavia’s mother vanish in the wilds of Tibet while her father, suffering from wartime PTSD, is only peripherally involved with his child, leaving her free to come and go with little to no supervision.

And she does have transportation–an ancient bike she has named Gladys.

Having lived her entire life in the town of Bishop’s Lacey, Flavia has contacts and inside knowledge of the residents not readily available to Inspector Lewis. Flavia is quite willing to flip her braids and flash her braces to convince witnesses she is only a sweet little girl they can spill any secrets to. Then there is her understanding of chemistry and a lab in which to do experiments. These confirm her suspicions on how the murder occurred. It doesn’t hurt a bit that Flavia is the one to find the dying man but conveniently forgets to mention his last words to the police.

Altogether a great read on a winter’s day! Diann Markley

The Mystery Writing Group of the Border Crimes Chapter of Sisters in Crime meets on the third Saturday of the month. All SinC members are welcome. Here’s our schedule for the next two months.

February 20: Ann Friedman will lead a discussion of Ellis Peters’ The Raven in the Foregate.

March 19: Juliet Kincaid will lead a discussion of Alexander McCall Smith’s The No. 1 Ladies’ Detective Agency.

If you’re a mystery fan, please share this blog with your friends and sign up through RSS to receive notifications for more blogs.

Best, Juliet

The No. 1 Lady Detective

A J K Writer Favorite

Among my recent emails I found one from Precious Ramotswe of the No. 1 Ladies’ Detective Agency located in Gaborone, Botswana, Africa. In the fashion typical of the messages we write and receive during the holiday season, the letter begins by telling the momentous events in Mma Ramotswe’s life. She ended her letter by wishing me, her dear friend and sister, “the love that we feel for those with whom we make our journey through life.”

The only thing that kept me from busting out of the house and over to Mysteryscape to buy Alexander McCall Smith’s latest, The Woman Who Walked in Sunshine, in which Mma Ramotswe recounts her adventures on vacation, was the fact Mysteryscape closed this year. (All who patronized that wonderful bookstore miss it terribly.)

Oddly enough, I was slow to come around to the charms of the No. 1 Ladies’ Detective Agency series. A decade or so ago, a librarian friend of mine who reviews books recommended it to me. But when I tried to read the first book in the series, I put it down again right away. The book didn’t start in the proper way for a mystery. Instead of a crime scene and a dead body, it began with a bio of the detective. What’s up with that? I thought. I returned it, unread, to the library.

After a few years, after the first book had become an international best seller and the series very popular, I told myself, “You’d better check this out, J.” But I couldn’t find any of the books at the closest Borders, another late and lamented bookstore. And I tried more than once. Surely such a popular series should be here somewhere, I thought. But still I couldn’t find it. Then one day as I zipped past the mystery section at Borders, I spotted the distinctive and charming cover of the first in the series in the M’s. For months I’d looked for it under S. There’s no hyphen in there. How was I to know they alphabetized it under M?

This time I bought the book, read it, and loved it. And it changed my life. Really? you ask. Well, yes, because it showed me a fresh and different way to structure a mystery novel and, even more important, it brought me out of a funk during which I wrote no fiction for going on three years. Me, the long time fiction fan? That was a really serious depression I was in. So I thank Precious Ramotswe and Alexander McCall Smith for getting me back to writing fiction, my life-long passion, the thing I do primarily because it makes me happy.

So what did I learn from reading The No. 1 Ladies Detective Agency?

1) I saw that in that book Mma Ramotswe had several cases presented very much like individual short stories. This structure encouraged me to go back to a series of twenty-nine short stories I’d written with Cinderella as a detective twenty years, three kids, and a few extra pounds after the ball to see if I could make a novel out of some of them.

2) Another lesson I learned was how McCall Smith used Mma Ramotswe’s life, her loves, and her friends, to tie the book together from start to finish.

3) And the best lesson of all, especially for a writer who wants to write a mystery series? I saw how important it is for a series to have a strong detective that readers willingly identify with to carry them through each book and on to the next and the ones after that.

The season’s joy and blessings to you, Precious Ramotswe, and to your creator Alexander McCall Smith, and to you, my readers.

Best, Juliet

The No. 1 Lady Detective inspired me to write Walls, a Cinderella, P. I. Novel, and Wings, a Cinderella, P. I. Novel, both now available as eBooks and trade paperbacks from Amazon. Twelve of my original stories appear in Cinderella, P. I. and Other Fairy Tale Mystery Stories and eight more appear in Cinderella, P. I. Around the World. Both collections are also available from Amazon as eBooks and paperbacks. The third and final book in the series, Cinderella’s Last Case and Other Stories, will appear in 2016. And look for the audiobook of Cinderella, P. I. and Other Fairy Tale Mystery Stories coming soon from Audible, Amazon, and iTunes.

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Encouraging Review of January Jinx

Jan.Jinx.e-bookHey, gang!

I just had to share the encouraging review that Judge 16 wrote for January Jinx that I submitted to the Writer’s Digest contest for self-published books this year.

Structure, Organization, and Pacing: 4
Spelling, Punctuation, and Grammar: 2
Production Quality and Cover Design: 2
Plot and Story Appeal: 3
Character Appeal and Development: 5
Voice and Writing Style: 4

The delightful, creative, and charming January Jinx introduces a terrific character in Minty Wilcox, a good old fashioned cozy mystery persona who will surely be able to carry the planned-for series. It’s Minty who drives the readable narrative, and author Juliet Kincaid keeps the pace steady and fast at the same time for quite a readable experience. The writing is appropriate for the historical setting without ever being gimmicky or archaic.

The book is definitely good enough to deserve a better package. The cover and bound-manuscript interior of the book itself doesn’t do justice to the narrative. Likewise, a more thorough copy edit would have helped trim out some of the manuscript aspects of it, like underlines instead of italics, and other typos, etc. could have been smoothed out. The plot is a bit expected though not predictable, and as long as Juliet Kincaid allows herself to mature as a storyteller, readers will follow her through this book and onward.

The unique setting of 1899 Kansas City is full of flavor that never overwhelms the story and characters. With a terrific, original, but still comfortable series concept, there are certainly big things afoot for Juliet Kincaid and Minty Wilcox’s Calendar Mysteries.

Isn’t this a great review? Thank you so much, Judge 16, for your encouraging review.

In case you’d like to check January Jinx out for yourself, here’s the link: www.amazon.com/dp/B00HSSSBE4. January Jinx is also available as a trade paperback from Amazon.com.

In closing, I’d like to announce that Fatal February, the second Calendar Mystery, is now available as a trade paperback at Amazon.com and as an eBook at www.amazon.com/dp/B017081JHM  Best, Juliet

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Craig Johnson’s Any Other Name

Craig Johnson’s Any Other Name

Boy, howdy, can that man write!

A week or so ago, I needed something to read and so I started buffeting the nine or so new books close to my bed where I do most of my fiction reading. (So what if I spend lots of bucks buying hardcover fiction? As an addiction, my fiction fetish is comparatively cheap. Plus, unlike other consumables, you can experience the high of reading a really great novel more than once.)

Oddly, at first I couldn’t find anything to suit me. The next alphabet mystery? There are so few letters left now that I thought I’d save it a while longer. The latest, just published, from the brilliant Canadienne? I thought I’d save that one, too, since it will be another year before the next one. The next choice of my book club? Well, no, I like to read those closer to the discussion date.

And so, going lower in my stack, I came upon Craig Johnson’s Any Other Name. The acknowledgments set me back briefly since Johnson says right up front that this book takes place in the winter and at least three of his previous Walt Longmire mysteries include hip-deep snow and harrowing blizzards. I needn’t have worried, though, because Johnson uses winter especially well in Any Other Name. In fact, it might be my favorite for reasons I won’t describe because I’m not given to spoilers. But I bet you’ll love it, too.

But anyway, Johnson’s great personal charm that showed up even in the acknowledgments in giving floral names to his helpers for the book got me through my misgivings to the first page. And there Walt Longmire’s voice hooked me and I knew I’d found the book I wanted to read next. I never regretted my choice from first page to last.

The eleventh in the Walt Longmire series (counting the delightful novella Spirit of Steamboat) centers on the suicide death of an old friend of Lucian Connally, the retired sheriff of Absaroka County, Wyoming. As Walt and Lucian look into this, other possible crimes emerge and the whole case becomes very complex. The weather, too. Meanwhile, Walt’s daughter Cady is about to have her first child way across the country in Philadelphia and from time to time she calls him to remind him he must be present for this event. This is not easy when he’s. . . . Never mind. You’ll find out.

In keeping with my standard blogging practice of sharing what I learn from the books I read that help me write my own, I’ll offer this. Johnson is a master of the set-up and follow-through. So when Walt and Lucian are stuck waiting for a long, long coal train to pass on page 1, you can be sure that trains will figure importantly in the plot of Any Other Name. Boy howdy, do they ever!

For your additional pleasure, I’ve attached my first blog installment about Craig Johnson’s work, originally posted in August of 2011, when I was working on Walls, a Cinderella, P. I. Novel (now available as an eBook at www.amazon.com/dp/B00FQLQ2WI and as a trade paperback ISBN 978-0-9899504-1-1).

Craig Johnson’s Junkyard Dogs and Hell Is Empty

“Boy, howdy,” as Walt Longmire would say, is Craig Johnson ever a wonderful story-teller.

I’ve heard Craig Johnson speak twice, once on the book tour for Junkyard Dogs, the sixth in the series featuring Wyoming sheriff Walt Longmire, and the second time for Hell Is Empty, the seventh. Both times were delightful.

Both times he visited here, he wore jeans, a casual shirt, boots and a cowboy hat, reflecting a genuine need since Mr. Johnson lives on a ranch and starts his work day with chores before he holes up to write. On his first visit, he’d recently returned from France where he’d received the Nouvel Observateur Prix du Roman Noir. (His mysteries are very popular in France.) While in Paris he had an encounter with a group of French school boys that I think of as “Le Cowboy at the Louvre,” a story Johnson told with great humor and flair.

I’ll give you highlights of Mr. Johnson’s other presentation at the end of this discussion. Before I start, here’s an update on the WiP.

This week I finished the fourth draft! A few whistles and a little applause, but don’t go on too long because I still have lots of work to do. One thing I’ve noticed is a big difference between the tone, voice, and style of the first half of the book and much of the second part. The former is pretty dark, formal, fairly literary. The latter is lighter, informal, chattier. In my fifth and I hope, final draft of this book, I really need to make those elements consistent throughout the book.

Right now, though, I’m wondering whether to go light or dark, but a comparison/contrast of Junkyard Dogs and Hell Is Empty gives me much needed guidance.

Hooks

Junkyard Dogs begins out-and-out pratfall funny as Walt Longmire tries to take in the fact that an old man had been up on the roof of a house on an icy midwinter day and secured by a rope to an Oldsmobile when his grandson’s wife drove off.

Hell Is Empty begins in a much darker way with Walt Longmire feeding a hamburger to Marcel Popp, one of three murderers the sheriff is helping to transport. Popp has just threatened to kill Longmire for the twenty-eighth time so far.

Characters

Aside from the regulars, many of the characters of Junkyard Dogs are comic as well. For instance, Geo Stewart, the old man hauled off the roof and dragged down the icy road, waves to a neighbor as he slides by. Stewart’s grandson Dwayne seems pretty dim and Dwayne’s wife Gina initially plays the vamp.

There’s nothing funny about the antagonists in Hell Is Empty. Besides Marcel Popp, the sheriff and his deputy are transporting Hector Otero, a murdering gangbanger from Houston, and most sinister of the three, Raynaud Shade, a Crow Indian who has visited the Bighorn Mountains before.

Plot development

The action of Junkyard Dogs continues in the comedic vein quite a ways into the book with the discovery of someone’s missing thumb in a cooler as well as a revelation about Walt’s former English teacher that I won’t share because I don’t want to spoil the surprise.

In Hell Is Empty the action escalates and the body count eventually is very high. Not surprisingly given the title, Walt must travel into hell before the book’s over. Both books are winter tales, but the weather provides much more grueling obstacles for Walt to conquer in Hell Is Empty than in Junkyard Dogs. In many ways also the plot of the sixth book is grounded in reality while in the seventh Walt goes on what is, in many ways, a mystical and spiritual journey.

Settings

The settings of Junkyard Dogs tend toward the interior and the manmade. Several important scenes take place in a hospital, for instance. Settings also include a huge junkyard guarded by two wolf-dogs and filled with trashed cars, stacked one atop the other and going decade by decade back in time.

More of the scenes of Hell Is Empty take place outside where wind, darkness, and cold threaten Walt’s life. As in Randy Wayne White’s Deep Shadow, nature is an adversary in Hell Is Empty.

Style, tone, and voice

Both of Johnson’s books are first person narratives, that is, told by Walt Longmire in Longmire’s voice. But inevitably the more comedic characters and plot of Junkyard Dogs make that book lighter.

When I planned this installment, I thought I should just stick to Junkyard Dogs because, long-time lit major that I am, I kept trying to trace all the illusions to Dante in Hell Is Empty, not just in the overall plot but in the characters’ names. I mean, there’s a waitress named Beatrice, for goodness’ sake, and another one named Virgil. I was going crazy doing that.

I don’t mean to imply that Johnson sprinkled in the literary allusions superficially because he didn’t. The references are integral to the plot. He set it up from the start by having Walt’s deputy, Santiago Saizarbitoria, reading a battered copy of Dante’s Inferno that Walt later takes on his journey. The style of the book doesn’t come off as literary. And Johnson does what all good writers do when they rework stories like journeys to hell. He transforms it and makes it his own timeless story, yet of and for our times.

The lesson for my WiP

I’m thinking that since I’m reworking fairy tales, in particular those known to most people through Disney movies, I should stick to the lighter side. In other words, I should stick to the lighter tone, style, and voice of Junkyard Dogs instead of the darker side of Hell Is Empty.

And finally, as promised . . .

The second time I heard Johnson speak, the word had gotten out about how great he and his books are and the place was packed. Again, he displayed his wonderful sense of humor as he told us about his involvement with the production of Longmire, a series coming to A & E in 2012. It sounds great. I’m sure I’ll love it and I bet you’ll like it too.

This closing comment from 9/11/14. I have loved the Longmire series and thought Season 3 especially strong. And so the news that A & E has cancelled the series disheartens me. However, at this time, it’s possible that another channel will pick the series up.

Darlene Deluca, Romance and Women’s Fiction Author

Darlene Deluca, my friend and fellow writer, is answering some questions about being a writer on my blog today. But first here’s some background about Darlene.

She writes contemporary romance and women’s fiction and likes to explore relationships – what brings people together or keeps them apart.

Her intent is to bring to life interesting characters that readers can relate to in real-life situations that combine a little fun, plenty of drama (with perhaps a tear or two), and big helpings of friendship, love and self-discovery. She hopes that her books will leave you either cheering or sighing with a satisfied smile as you turn the final page.

Darlene released her debut novel, Unexpected Legacy, in January 2013, and it advanced to the quarterfinals in Amazon’s Breakthrough Novel Award competition.

Darlene has been a reader and writer since childhood. With a degree in Journalism, she started her writing career as a newspaper reporter, and later moved into corporate communications before settling into the world of fiction writing and romance.

She writes day or night, whenever the words/mood/deadlines strike, and almost always has a cup of tea and a bit of dark chocolate nearby!

Here are some questions for Darlene and her answers:

What are you currently working on?

I am about two-thirds done with the second book in my small-town trilogy, the Women of Whitfield. The first book launched last August, so I’m running a little behind, but I’m hoping to have the new one available by the end of the year. The trilogy is about three friends who live in a small, fictitious Kansas town, and how they support, nudge, tease, and encourage each other through the ups and downs in their lives. This just in – the working title of the new novel is “Her Second Wind.” It’s the story of Dana who is picking up the pieces of her home and life after a tragic tornado.

The first book in the trilogy, The Storm Within, is still getting four-star and five-star reviews. Quoting one reviewer: “The circle of friends that Darlene Deluca created in The Storm Within was so powerful, I was drawn in immediately.”

How does your work differ from others?

I try to make my novels truly life-like. I want readers to connect and identify with the characters, to feel their emotions and live their actions/reactions. I don’t want far-fetched plots or unbelievable circumstances. Nor do I want to write dark, tragic tales in which at least one primary character has to be killed off in order for the story to be considered a “good” book. I want readers to feel satisfied after investing the time to read one of my novels.

Why do you write what you write?

I guess I write the kinds of stories I do because that’s what I like to read. And I’m fascinated by relationships. I like stories that include some drama, some humor and a little romance, and touch on the things that real people deal with, such as parenting issues, career decisions, financial troubles or family angst. I also enjoy stories that have multiple plots woven through them, so I try to do that as well.

So far, my stories fall into the following categories: Contemporary romance (Something Good), sweet contemporary romance (Meetings of Chance), fiction with romantic elements (Unexpected Legacy), and women’s fiction (The Storm Within).

Why do you write?

I write to get the stories out of my head. And to create. I enjoy the process of making stuff up! I love that I can create characters from nothing, and get to decide their situations and background and personalities. I prefer to create my own towns and settings, too. It’s a departure from my Journalism background, and it’s the best part of writing fiction.

How does your writing process work?

I generally have one idea or situation that pops into my head. Then I work with that and expand it to figure out what might make an interesting plot and what kinds of issues and characters would make sense for that particular story. From there, I go to work on making the characters into believable people. I’m what writers call a “pantser,” working more by the “seat of my pants” than a strict outline of chapters or scenes. The story unfolds as I write it, though I most often have the ending in my head.

Tell us about your most recent work.

My newest novel is a contemporary romance titled Something Good. It’s about two people living two very different lifestyles, who find common ground beyond their attraction to each other. Crippled by the past, Mandi Evans feels unworthy of a better life – until Lane Whitmore walks into the diner where she works six nights a week. An urban planner, Lane is looking to revitalize the rundown part of town where Mandi’s hidden herself away. He can’t help but notice this diamond in the rough as well, and what starts as simple good times grows to . . . something more. With Lane, Mandi feels alive again, and she makes a bold decision – one that could chart her course on a path to redemption. Unless keeping her plan from Lane turns out to be Mandi’s biggest mistake of all.

I love this quote from one reviewer: “Watching Lane learn from her was a much needed change to the average love story. . . . This was a great read and a story that will linger with me for a while … will even be added to my re-read list from time to time I’m sure.”

Here’s the link to Something Goodhttp://www.amazon.com/Something-Good-Darlene-Deluca-ebook/dp/B00J8UN1GI/ref=sr_1_4?s=books&ie=UTF8&qid=1409085697&sr=1-4&keywords=darlene+deluca

What do you do for fun?

Lots of things! Reading is a favorite pastime, of course, and my book club that meets once a month and reads a wide variety of both fiction and non-fiction. My primary social life consists of lunches out with friends. I’ve attempted to garden, but have almost given up due to constant battles with the wildlife around my house. But I love flowers, so I enjoy visiting botanical gardens. And I am quite fond of warm, sunny days at the beach!

Thank you so much, Darlene, for sharing your insights into your writing.

Here are links to Darlene’s website (http://www.threewritersofromance.com/all-about-darlene.htmland to her Facebook page (https://www.facebook.com/pages/Darlene-Deluca/282385088481413), so you readers can keep up with news and new developments in this author’s life.

Helen MacInnes’ Snare of the Hunter

Classic Romantic Suspense

I can in no way fault Helen MacInnes’ Snare of the Hunter, originally published in 1974 and republished last year along with some of her other spy thrillers.

Though forty years old, the book doesn’t feel dated. Sure, characters must drive to the nearest village to make critical phone calls instead of whipping out their mobile phones. But cells probably wouldn’t work in the Swiss Alps which provide a majestic setting and challenging winding roads to Irina Kusak, who has escaped Czechoslovakia and her ex-husband Jiri Hradek, an ambitious official in that country. He has let Irina go, so she can lead him to her father. A renowned writer who defected to the West some time before, Jaromir Kusak now has written a novel that threatens to reveal Hradek’s most guarded secrets.

David Mennery, an American music critic with a good excuse to be in the neighborhood, agrees to help Irina escape to the West. Years before, Irina and he met in Prague and fell in love, a match thwarted by Irina’s mother, then a high official in Czechoslovakia.

This novel has well-drawn, realistic characters and a well-paced, plausible plot. No 007-style goons or high speed chases here, but the suspense kicks in at the end of Chapter 1 when someone who has helped Irina leave her home country dies. The suspense remains pretty constant throughout the book.

Besides getting caught up in the story, I admired MacInnes’s deft management of viewpoint. Though MacInnes presents much of the story from Irina and David’s perspectives (fairly standard in romantic suspense), she also incorporates the perspective of several other characters. In my own fiction, I tend to play it safe with point of view by sticking to one narrator, whether by the intimate first person perspective (“I”) or by the more removed third (“he” or “she”) throughout a story or book.

When I taught Creative Writing, I used to warn my students about “head hopping,” that is, shifting abruptly from one character’s perspective to another. I also advised them to place any shift at the start of a scene or chapter. MacInnes does that when she ends the first chapter in Irina’s perspective and opens the second chapter from David’s perspective. But in Chapter 4, inside the third paragraph, MacInnes slips out of David’s head and into the head of the flight attendant taking their drink orders. I didn’t get at all lost, though, or even jarred because of MacInnes’ smooth, skillful transition.

What does MacInnes accomplish by doing this? Well, it’s awkward to have a character describe himself. (He knows what he looks like.) So handily, the flight attendant observes David and speculates about him. We readers can feel smug because we know the answers to her silent questions. This immerses us farther into the story.

Later in the plot when the perspective shifts occasionally into a bad guy’s head, we feel the suspense a great deal because we know the dangers that lie in front of Irina and David as they flee through the towering grandeur of the Swiss Alps.

(I really liked the setting cluttered with the tourists, oblivious to the perils around them, who innocently visit those ruined castles and picturesque views.)

Even after the forty years since it first appeared, Snare of the Hunter still thrills.