Good news about January Jinx

GOOD NEWS! The first book in my calendar historical mystery series now has a low price in thirteen countries across the globe. For example, my Aussie friends, if you go to the Kindle store on Amazon.com.au and type in January Jinx, you can get this fun cozy historical mystery for a mere $1.29 in your dollars.

 

 

And like all of my short stories and novels, January Jinx is always free on Kindle Unlimited. Click here to get this fun read, American friends: www.amazon.com/dp/B00HSSSBE4

 

 

 

 

The Case of the Mysterious Back Pain

Lately, due to back pain, I’ve gotten behind on my current Work-in-Progress,  a historical mystery short story called “Detectives Honeymoon.”  Now, back pain isn’t unusual for indie authors. Lots of you out there are indie authors, so you probably know what I’m talking about.

But my recent back pain isn’t the typical lower back pain that comes from sitting and typing for long hours. I’ve had that kind and I don’t get it much anymore because I’ve got a special chair with two cushions in it.

Oh no, this new pain was up under my right shoulder blade. It felt like some big guy stood behind me and jammed his index and middle fingers into my back. At its worst, my back started hurting within the first half hour of starting my morning writing session. Plus, one day when I was driving home from an afternoon exercise class, the pain of keeping my hands and arms on the steering wheel at two and ten was so intense it reached eight on a ten-point scale, way past the point of being able to ignore it, just short of my screaming out loud.

So I tried to figure out what caused it and how to fix it because, honey, I’ve got lots of stories and books to write before I shuffle off this mortal coil. I tried adjusting the height of my special desk chair, took both pillows out, put one back in and then the other. No help at all. I switched out my special chair with a kitchen chair. That didn’t help either. I quit using weights at my exercise class. I even took the Spider Solitaire app off my phone. Zip effect.

So finally I broke down and went to see a nurse practitioner at my doctor’s office. She said the problem was muscular not a case of bone scraping bone. That was somewhat good news. She told me to keep taking Ibuprofen, up to six a day, and apply heat or cold. I hated the cold, but the heating pad felt good. Unfortunately, I don’t really have a way to write with the heating pad on my shoulder.

These things worked, along with walking, but only for a while before really I couldn’t stand to type for more than half an hour at a time without the pain getting to me.

But then one day, at my exercise class, I had an epiphany about the source of my back pain when the instructor lifted her right arm, crooked at the elbow, and twisted around to her right. “Now,” she said. “You should be feeling this right where your bra strap crosses your back below your shoulder blades.”

“Aha!” I said to myself. “That’s exactly where my back is killing me!” And now that I know what caused the injury in the first place, I’ve quit doing that part of that particular exercise.

Now, I suppose you want to tell me that I wouldn’t have had this problem at all if I didn’t dance for exercise. But I’m an endorphin junkie who enjoys the rush I get dancing four times a week. I get an even bigger rush when my characters make me laugh or cry. So I’m very happy to have solved this mystery and I can keep on writing that story and all the other stories I have in  mind.

Best, Juliet

Last day for FREE mystery story

Sunday April 8 is the last day to get “The 9th Street Gang,” the latest short story in my calendar mystery series, for FREE.

Join the fun as newly engaged Minty Wilcox and Daniel Price pursue a gang of thieves plaguing Kansas City in February 1900. Minty tries to focus on the case, but her wayward thoughts about the secret married couples keep to themselves distract her. Not only that, but her boss objects to her attempts to be a detective and any show of affection for Daniel inside the office or out.

Get your copy of “The 9th Street Gang” for FREE now at www.amazon.com/dp/B079YYVTTX

International Women’s Day: Strong Women in Fiction

Recently, I was with a group of women fiction writers, and someone mentioned International Women’s Day on March 8, 2018. The authors at this meeting realized we all write about strong women. So to celebrate the occasion this year, each of us agreed to post an excerpt from our writing featuring one of our strong female characters. And we want to share all our characters with you.

I’m sharing the start of “Lost Dog,” a prequel story to my historical mysteries that introduces the series protagonist, Minty Wilcox, along with several other continuing characters in the stories and books. So here she comes to the rescue of . . . Well, read on and you’ll find out.

Lost Dog

An Old Kansas City Story

Tuesday, July 5, 1898, shortly after noon

Kansas City, Missouri

As Minty Wilcox hurried home, she mentally reviewed the symbols from Mr. Gregg’s shorthand system she’d studied that morning at the Kansas City Business College. A pretty woman of nineteen years, she wore a white dress with navy blue trim around the square neck that gave the dress a nautical air. A jaunty seersucker sailor hat with a blue and white band sat on top of her light brown hair and she carried a black school bag over her shoulder.

She’d just crossed Tenth Street when shouts up ahead on the avenue pulled her out of her reverie.

On the steps of a big white Victorian house near the other end of the block, a woman in black held up a broom as if it were a baseball bat. It looked like she meant to take a swing with it at two children standing on the sidewalk below.

“My gosh!” Minty said when she recognized the children as her youngest siblings and the woman as their neighbor as Agnes Shackleton. Minty promptly lifted her skirts to mid-calf and ran the rest of the way down Penn.

Just after Minty reached Eddie, a slim, brown-haired boy in a white shirt and knee pants, and Peach, a little blonde who wore a plaid dress of mixed browns and tans, Miss Shackleton said, “Get off my property.” She swung the broom at Peach.

Minty caught the bristle end of the broom only an inch away from her youngest sister’s head, wrenched the broom out of the woman’s hands, and threw it in the street.

Off balance, Miss Shackleton stumbled down the steps onto the walk. “What do you think you’re doing?” she said.

“How dare you take a broom to my sister?” Minty said.

“But, but . . . ,” the woman sputtered. Then, perhaps recognizing Minty’s anger, she turned, retreated to the middle of the stairs and turned to face Minty again. Tall and gloomy in a black dress with huge leg o’ mutton sleeves several years out of date, Agnes Shackleton had gray hair split by a center part. As usual, her long, bony face wore a sour look. “She was on my property,” she said. “The boy, too.”

“My brother and sister are on the sidewalk now,” Minty said. “And it’s public property.”

“They were on my steps before and they were attacking me.”

Minty might have laughed at that if she hadn’t been boiling mad. “I doubt that very much,” she said.

Miss Shackleton gave Minty a long hard stare before she said, “Well, that girl is most impertinent.”

Minty could see how some might find Peach impertinent because she often spoke before she thought. But Minty wouldn’t concede anything to Miss Shackleton who said, “I suggest, Miss Wilcox, that you control these gutter snipes that your mother allows to run wild on the streets making noise at all hours of the day and night.”

Her back decidedly up, Minty said, “My brother and sister aren’t gutter snipes, Miss Shackleton. And I will thank you to quit calling them names.”

“Minty, what’s a gutter snipe?” asked Peach, so dubbed at birth by their father because she was such a peach of a girl.

“Somebody who’s not very nice,” Eddie said. An earnest boy of thirteen, the youngest of Minty’s four brothers limped up to Minty. He wore special shoes for the clubfoot he was born with that later was repaired, at least in part, by several surgeries.

“How come they’re not nice?” Peach said.

“We’ll talk about it later, Peach,” Minty said, her breathing and heartbeat finally slowing. She turned back toward Miss Shackleton. “If you’re talking about last night, lots of people were out and about to see the fireworks. So what if they set off a few firecrackers? Lots of people did.” Including me, Minty added to herself. It was so much fun, but then Miss Shackleton seemed to have lost the ability to have fun—if she’d ever had it, that is.

Miss Shackleton sniffed. “I shouldn’t be surprised at their behavior. Your mother runs a disreputable establishment with people in and out all hours of the day and night.”

“She does not,” Minty said. “Our boarders are very respectable. And Mama has a rule that everyone must be home by ten, even the grown-ups, except for special occasions like Independence Day.”

“Well, they were shouting at me,” Miss Shackleton said.

“Probably for good reason, Miss Shackleton,” Minty said. She turned her head a little before she said, “Eddie, what’s going on?”

Before Eddie could answer, Peach said, “She was trying to kill the doggy. Maybe she did already.”

“What dog?” Minty asked.

To read the rest of “Lost Dog ,”  click on the following link. (It’s only 99 cents to buy and always free on Kindle Unlimited)  www.amazon.com/dp/B0752SWBG1

For the posts from the other women authors in our group about their strong women characters, please follow the links below:

Joyce Brown, author of cozy mysteries  http://www.joyceannbrown.com/blog/international-womens-day-strong-women-in-fiction

Darlene Deluca, author of women’s fiction and romance: https://darlenedeluca.com/2018/03/07/international-womens-day-strong-women-in-fiction/

Pamela B. Eglinski, author of suspense and historical fiction

Theresa Hupp, author of historical fiction

If you like the excerpts these authors have posted, then let them know in a comment on their blogs. Writers always enjoy hearing from readers

Happy International Women’s Day!

New short story

“The 9th Street Gang,” Juliet Kincaid’s latest calendar mystery short story, is now available for only #99cents at www.amazon.com/dp/B079YYVTTX or a penny less than a pound at www.amazon.co.uk/dp/B079YYVTTX but it’s always free on Kindle Unlimited.

“The 9th Street Gang,” an Old Kansas City Story

Happy to be wearing her old brown coat that the wet snow wouldn’t hurt and galoshes over her boots because of the slush underfoot, Minty Wilcox marched along 9th Street at Daniel Price’s side.

Daniel had bundled up in his tan overcoat, pulled his brown fedora down over his forehead, and wrapped a black muffler around the lower part of his face, so she could see only the red tip of his strong, aquiline nose and one dark brown eye squinting against the snow.

He’s my fiancé, Minty thought. We’re engaged! In just a few weeks time, I’ll be Mrs. Daniel Price. And I’ll be in on that secret married couples keep to themselves. Just thinking about solving that mystery set up a tingling in her lower parts . . .

In their first case together as a detective couple, newly engaged Minty Wilcox and Daniel Price pursue a gang of thieves plaguing Kansas City in February 1900. Distractions include the objections of their boss to any show at all of their affection for each other inside the office and out, Minty’s growing attraction to Daniel, and her wayward thoughts about the secret married couples keep to themselves. Join the fun, mystery and romance of this Calendar Mystery short story and along the way meet the son of a famous outlaw.

Praise for January Jinx, the first book in Juliet Kincaid’s Calendar Mystery series
The delightful, creative, and charming January Jinx introduces a terrific character in Minty Wilcox, a good old-fashioned cozy mystery persona who will surely be able to carry the planned-for series. It’s Minty who drives the readable narrative, and author Juliet Kincaid keeps the pace steady and fast at the same time for quite a readable experience. The writing is appropriate for the historical setting without ever being gimmicky or archaic . . . The unique setting of 1899 Kansas City is full of flavor that never overwhelms the story and the characters. With a terrific, original, but still comfortable series concept, there are certainly big things afoot for Juliet Kincaid and Minty Wilcox’s Calendar Mysteries.

Click on this link to learn more about Juliet Kincaid and her publications and how to buy them: https://www.amazon.com/Juliet-Kincaid/e/B00DB4HWRG/ref=dp_byline_cont_ebooks_1

 

 

The Art of Rewriting Fiction

Right now I’m working on a new short story called “The 9th Street Gang,” part of my calendar mystery series set in Kansas City starting in January 1899.  Here’s the cover for the story that about twenty of my friends and kin helped me with.

Now I’m revising the story itself. And it’s taking me longer than I expected thought it would. Why I should be surprised I really can’t say given the length of this hand-out, one of my favorites from when I taught writing at the college level. This particular version that I prepared for a post NaNoWriMo (National Novel Writing Month) workshop focuses on fiction, especially the novel. But really you can use it for any kind of writing you do. Reviewing the handout today is helping me out, so I thought I’d share it with you, too.

Congratulations! You’ve completed the first draft of your novel and the joy of creation still surges through your veins. But don’t rest on your laurels too long, for now you have to rewrite. No I don’t, you say. I just run the spell checker and shoot it off to an agent, right? Besides, did Shakespeare rewrite? Apparently not, but his contemporary and friend Ben Jonson said, “Would that he had blotted a thousand lines.”

So now comes the time to get busy “blotting a thousand lines” (or more) because rewriting is a vital part of writing, the part that “makes the work come alive,” to quote Nancy Pickard, author of several popular mystery novels including Kansas Book of the Year, The Virgin of Small Plains. During rewriting, you “re-envision” the work and bring it closer to your original intention, obscured or lost in the heat of creating the rough draft.

Though often the writer comes up with new material during the rewriting phase, generally this last stage involves more analysis than creation, less the right side of the brain than the left. While new writers often think they can’t write unless they get it right the first time, most professionals rely on rewriting to bring their work up to par.

Effective, interesting, and vital writing is clear, coherent, concise, concrete, correct, and varied. Rewriting helps you give your work these qualities.

Okay, okay, I’m convinced, you say. So how many revisions should I do? As many as it takes, the mentor answers. If you’ve completed a work that you first drafted largely in your head, such as a flash fiction short story, you might not need many overall revisions. On the other hand, many pros freely admit to doing up to twelve major revisions of their novels. The average romance author does two and a half to three drafts, but Nancy Pickard says that she rewrites virtually up to the day of publication.

To rewrite a piece of fiction, you cut, add, change, move, and combine. But verily I say unto you, the greatest of these is CUT.

In rewriting, concentrate on these areas in this order: content, style, and mechanics. Why this order? you ask. Simple. It makes sense to get the content right before you spend hours polishing a sentence (paragraph, scene, chapter) that you might have to cut later–or worse, refuse to cut (though it no longer fits the work) because you worked so hard on it. Take the advice of Tony Hillerman who used to labor over his first chapters until he discovered that later chapters changed the first ones too much for him to use them. (He claimed to have had a drawer full of discarded but wonderful first chapters.)

On the other hand, if you’re rewriting the content of your novel and notice a sentence you can improve quickly or an error to correct, go ahead. Similarly, if you think of a great new bit of dialogue in a later stage of revision, by all means add it. (But be sure to reread this added section carefully, for often errors abound in such passages.)

ADVICE

1) To keep up your momentum and improve your chances of completing your novel, work on it everyday.

2) To minimize the number of corrections to make later in the process, initially format your manuscript in the correct form for submission later on to an editor or for production as an eBook or POD.

3) Follow the rules of punctuation like putting periods and commas inside quotation marks, etc.

4) For ease in rewriting, make separate files for all the chapters of the work.

5) If you use Microsoft Word, go to the Authoring and Proofing Tools in the Preferences menu, and in the Spelling and Grammar menu, click on “Show readability statistics.” Run your spell checker on each chapter as you complete revising it. The information will be especially valuable to you in later phases of the revising process. This document, for example, has 4% passive voice (much higher than my usual fiction percentage of 0%), 63.1% Flesch Reading Ease (considerably lower than my usual fiction reading ease of 85%), and 8.7 Flesch-Kincaid Grade Level. No, I’m not related to that Kincaid, and my fiction averages from 3.5 to 5.2 grade levels.

6) Cultivate good stylistic writing habits like avoiding passive voice and employing showing writing instead of telling writing.

Still, generally, as John Braine advises, it’s best to write the rough draft as fast as you can and take as much time as you need for revision. Danielle Steele, for instance, takes six months to research a novel and six months to rewrite, but she blasts through the rough draft in a month of crippling twenty-hour days.

REWRITING FOR IMPROVED CONTENT

When you’re ready to start rewriting your novel, be patient and don’t just dive into revising. Instead, sit down and read the book through. Then skim it and take notes on what you see and patterns you notice. For instance, does your novel have a clear “Who wants what?” established very early. Does your protagonist clearly “drive the plot car” overall? Is the outcome clear at the end?

Especially pay attention to the big issues of structure. For instance, does your novel have a clear beginning, middle and end? That is, does it have a hook in the opening and a plot point near the end of the beginning part to set up the major story line? Is there some sort of important development in the middle section of the novel, that is, about halfway through? Is there a plot point near the end of the middle part of the book that sets up the end of the book? Do some math to see where these plot points fall in relationship to the overall length.

Consider your narrative line. Once you start your story, do you continue in a straightforward line or do you switch back and forth in time, from past to present to future to past? Think about your audience and this maxim: The larger the market you want for your novel, the easier you want to make your novel to read. That is, employ the K.I.S.S rule especially when you’re writing popular fiction and want lots of people to read your book.

Consider the type of novel you’re writing and reader expectations for that genre. If you’re writing a categorical romance, for instance, do you have at least one love scene? If you’re writing a mystery, is there a body or at least a crime?

On the basis of your observations, prepare an outline or write a narrative synopsis. Advice: Do not consider your outline or synopsis as engraved in stone.

As you write a second draft and concentrate on content, you might want to CUT all or part of ground clutter (action that leads nowhere), sections of dialogue that run on too long, unneeded characters and everything related to them, sections of description that run on too long, scenes that contribute only slightly to the plot, extended sections of background or exposition, unneeded transitions between scenes, sections that tell the reader what to think instead of letting them draw their own conclusions, unneeded or overlong passages of thought, unneeded material between the climax and denouement, and any element that impedes the pace.

On the other hand, you might need to ADD details that explain later action, descriptions to make a character or setting come alive, character development and motivation, background information, more dialogue, significant action, reminders to the reader, foreshadowing, clues and red herrings, symbols and metaphors to highlight theme, and transitions between scenes.

Often you will want to CHANGE from telling writing into showing writing, from indirect to direct speech, from indirect to direct thought, or from one point of view to another.

Sometimes, too, you might find that, in drafting, you got in a rush and tried to do everything at once. So you might need to MOVE introductory exposition to later in the story, exposition closer to the action it relates to, and thematic commentary or epiphanies closer to the end. You might also need to move scenes and plot points.

Finally, you might need to COMBINE one character with another or one scene with another.

GETTING FEEDBACK

Once you have the content about right and can think of nothing much else to do to the work, let gentle, sympathetic, knowledgeable people (preferably not family members) read your novel and give you feedback on what it’s like to experience the work for the first time. When you get your novel back from your readers, look over their comments and rewrite to improve the content at least one more time.

Once the content seems about right, move on to the next phase of rewriting, the PEP phase. Advice: At this point it’s often best to put all your chapters into a single file at this point, so you can also spot glitches in formatting for your eBook or POD versions of your novel as you edit.

REWRITING FOR IMPROVED STYLE

Now, you will P(olish the style), E(dit for grammatical correctness), and P(roofread for misspellings and typos).

Verily, again I say unto you, the greatest of these is CUT. Overall, including cuts for both content and style, try to make your final version at least ten percent shorter than earlier drafts. (Some writers draft very long and cut out nearly half.)

For concision, CUT redundancies; one, two or even three adjectives out of every three; there is/are, which is/are, it is . . . that; excessive or elaborate dialogue tags; and most adverbs.

For clarity and coherence, you might need to ADD transitions and dialogue tags.

For clarity, vitality and ease of reading, CHANGE long sentences and paragraphs into shorter ones; big, fancy words into smaller ones; uncommon words into more usual ones; over-used words into less common words; passive voice into active voice; states of being verbs into action verbs; progressive verbs into straight present or past tense; general into specific; abstract into concrete; unclear pronouns into nouns; and fuzzy word choices into just the right words.

For clarity and variety, occasionally MOVE phrases from their usual spot into more unusual ones.

For coherence and variety, occasionally COMBINE many short sentences into longer ones and many simple sentences into compound or complex ones.

But as Strunk and White say in The Elements of Style, break any of these rules rather than commit a barbarity.

REWRITING FOR CORRECTNESS

Always edit a completed manuscript with extreme care because mechanical errors and misspellings betray you as an amateur to agents, editor and readers. If you can’t spell, learn! Use a spell checker (but still proofread for homonyms, like “too,” “to,” “two”). If you don’t know how to punctuate, take a review course. And no matter how sharp your editorial skills, always proofread your material several times before you submit it or publish it.

In the PEP phase, you might find it helpful to read your manuscript aloud. (James Michener and his editor read one of his big novels to each other five times.) Run your spelling/grammar checker and get your overall stats on readability, etc. It’s also good to use “find and replace” to locate your personal trouble spots (one of mine is over-using the word “then”). If you have fellow writers who proofread well, you might ask them to proofread our work. Or you could hire a professional proofreader or copy editor.

THE IMPORTANCE OF PROOFREADING

As Jack Riley topped the final rise before town, he saw the buzzards circling above him. Not this time, he thought, a half smile on his face. He had just been through eighty miles of the roughest dessert anywhere . . .

 

Charming historical mystery reduced price one week only

Fatal February, the second book in Juliet Kincaid’s historical mystery series, is only $0.99 January 31 through February 6, 2018, at www.amazon.com/dp/B01781JHM and £0.99 at www.amazon.co.uk/dp/B017081JHM. (And it’s always free on Kindle Unlimited.)

It’s February 7, 1900, and a young woman has gone missing from a Kansas City garment factory. Price Investigations has been hired to find the girl, who may have come to harm. Minty Wilcox longs to help, but her boss doesn’t approve of women sleuthing. He also forbids any office romance at all, especially with the dashing Daniel Price. When Minty defies her boss, George Mathison, and goes undercover to find the girl, Daniel helps. But he also hinders Minty with outrageous flirtation and other ploys. And as she digs into the case, Minty comes into danger herself. Will Daniel rescue her? Will Minty even let him try?

Excerpt from Fatal February

Just then the door to Mathison’s office from the outside hall opened and a fellow shuffled in. He wore a loose, black jacket that came down to his mid thighs and brown corduroy trousers that bagged around his ankles. As the man sauntered toward them, he pulled a black, visored cap off his head.

“It’s getting cold out there,” said Daniel Price.

“Why, Mr. Price,” Minty said. “I didn’t recognize you in those clothes.”

He stopped, held his arms wide and looked down. “Like them? These are my workingman’s duds.”

“Fetching, Mr. Price, though they do look like you stole them from a larger man.”

“Not exactly. I bought them second hand or even fourth hand. Who’s to know? At any rate, these duds suit the work. And by the way, Miss Wilcox, I like your pretty hair ribbon.”

“Why, thank you, sir.”

“Enough of your banter, you two,” Mathison said. “It’s about time you decided to come in, my boy. I hope your efforts paid off better than Miss Wilcox’s.”

“But, Mr. Mathison, I discovered quite a bit . . .”

Praise for Fatal February

In the year 1900, Minty Wilcox has been hired by a private detective agency, her on again/off again beau’s employer, as a stenographer. For this spunky gal, typing and taking shorthand aren’t enough. She wants to be an operative. So, of course, author Juliet Kincaid, accommodates her protagonist by letting her delve into a missing person/murder case, sometimes sanctioned, but often not, by her boss. The ins and outs of the investigation, Minty’s romantic ups and downs, and her inside out family situations are fun to follow. It’s also interesting to learn about the physical layout and the social customs of Kansas City at the turn of the last century. Good follow-up to January Jinx, the first mystery in the series.

The calendar mysteries by Juliet Kincaid tell the story of plucky Minty Wilcox and detective Daniel Price from newly met to newly wed and beyond in Kansas City, a place that could get downright deadly a hundred years or so ago.

Job Hunting Jinxed in Old Kansas City

Buy January Jinx, the first book in the Calendar Mystery series, now at www.amazon.com/dp/B00HSSSBE4

The first chance Minty Wilcox gets in January 1899, she sets off to find a stenographer’s job in Kansas City. But her search is jinxed from the start. And in spite of her efforts to clear her name, bad luck spreads like a nasty cold from Minty to her family and to Daniel Price, their mysterious boarder as well. Minty feels that she brought all these troubles to her family and friends, so she must set things right. This won’t be easy in Kansas City that could get downright deadly a hundred years or so ago.

From January Jinx . . .

Mama slammed the kettle down onto the Grand Windsor Range. “What were you doing in the West Bottoms, Minty?”

Mama only banged the pots and pans around when she was truly agitated. The gas sucked the flame from the match and Minty jumped, but she kept her gaze on her hands twisting a napkin into a wet noodle. “I was looking for work. Besides, I didn’t actually get to the West Bottoms.”

“You were headed there on the stairs! And if you had made it to the bottom of the stairs, what then? Would you have crossed the tracks on foot? Oh, Minty, don’t you know how dangerous that is?”

“I’m sorry, Mama. I didn’t think it through.”

“I guess not. And why didn’t you take the car? Don’t tell me you went off this morning without a penny to your name?”

“I had fare both ways. I gave the soldier a nickel for breakfast at Mrs. McLean’s Up-to-Date Café. He looked like he was starving, Mama.” Minty recalled the soldier as she’d first laid eyes on him that morning. Slight of build, he stood near the fence along a Ninth Street mansion that needed paint. His sand-colored shirt, with gold cloth edging collar and cuffs and gold buttons down the front, had reassured her. How could she have known so much harm could come from her generosity? “All the soldiers who fought with Teddy Roosevelt at San Juan Hill are heroes.”

“Of that I have no doubt.”

“The sheriff took the other nickel.”

“That sheriff sounds like a common thief to me, making off with Uncle Edward’s watch like that. Are you sure he’s a sheriff? What’s his name? Where is he the sheriff?”

“He said he’s Sheriff Clayton Cole of Campbell, Kansas.”

“I never heard of Campbell, Kansas.” Across the kitchen, Mama flung open a cabinet so hard the door smacked into the next cabinet. On tiptoe Mama felt around the second shelf, but their maid Gerta had obviously pushed the plates too far back and out of Mama’s reach. “Where’s the stool?” Mama asked. “Oh, yes, the children took it into the parlor.”

Earlier, in the parlor, Mr. Price had impressed Mama with his credentials, with his arrangements for employment in town, and most of all with the thirty dollars deposit, a full month’s rent in advance. Then he left his satchel in the big bedroom upstairs and went off somewhere. He didn’t say where. A bit of a mystery, he was, with his unstated destination, his magician’s tricks and his new overcoat from Emery, Bird, Thayer, right downtown in Kansas City, though he claimed to have only just arrived from Chicago. Not that his goings-on interested Minty . . .

Praise for January Jinx

The delightful, creative, and charming January Jinx introduces a terrific character in Minty Wilcox, a good old-fashioned cozy mystery persona who will surely be able to carry the planned-for series. It’s Minty who drives the readable narrative, and author Juliet Kincaid keeps the pace steady and fast at the same time for quite a readable experience. The writing is appropriate for the historical setting without ever being gimmicky or archaic . . . The unique setting of 1899 Kansas City is full of flavor that never overwhelms the story and the characters. With a terrific, original, but still comfortable series concept, there are certainly big things afoot for Juliet Kincaid and Minty Wilcox’s Calendar Mysteries.

 

 

 

Writers’ New Year’s Resolutions

Like many others, I’ve been looking ahead to the new year and trying to settle on some goals for my writing. At times, this seems like an invitation for me to gallop off in all directions, as the saying goes, or worse yet, spin my wheels in familiar ruts. So I’ve asked for help from my writer friends. (Thanks, everyone!) Here are their resolutions in order of receipt.

Peg Nichols, a dear friend and fellow knitter, offered this charming resolution: Sitting, knitting, gives me space to dream up plots, invent characters, construct grammatically-correct sentences and paragraphs, but because of snide, snarky criticisms from my so-called friends—who are just jealous of my New York Times bestsellers successes (or will be if ever I get there)—I am limiting my knitting goals to only those articles I can achieve with the garter stitch. If you can’t understand why this will greatly simplify my knitting (as opposed to purling) and encourage my writing, ask any of your other knitter friends. Also, I’m going to be more diligent about keeping my ink well full to the screw top, and my quill pen sharpened. (I gave up trying to find more ribbons for my typewriter several years ago.)

Mark Scheel, author of The Pebble: Life, Love, Politics and Geezer Wisdom and the blog series on The Grant Journal and Scriggler, said, Well, sounds like fun. I don’t make resolutions anymore as most I’ve fulfilled. Those few I haven’t I’ve given up on. Ha. But try this one: “To not yield to the lazy temptation of allowing day-to-day distractions to override one’s writing schedule or the focus on one’s present writing project.”

Theresa Hupp, author of historical novels Lead Me Home and Now I’m Found and the forthcoming Forever Mine, all set in the American West, gave these three New Year’s Resolutions (goals) for 2018: 1. Publish my third historical novel, Forever Mine (a first quarter goal). 2. Draft a fourth historical novel (the first draft to be written and reviewed with my critique group by the end of the year. I only have a vague outline done now) 3. Invest in my writing by marketing my books more vigorously, including with paid advertising based on a budget (throughout the year, and I’ve already started!)

Denise M. Hartman, author of Killed in Kruger and the Blanche Binkley mysteries, resolves to start a new murder mystery in 2018 after releasing the last Blanche Binkley book in March of 2017. It is time to begin again!

Well, I guess I’ve passed the buck long enough, and so I must offer my New Year’s resolution. Juliet Kincaid resolves to have something new, free, or discounted available for my readers every month in 2018. So far I’ve lined up specific projects through August and I hope to launch the first book in a new series this fall. Sounds like I’d better get cracking, don’t you agree?

What’s your resolution for 2018?

HAPPY NEW YEAR!

For mystery and romance in old Kansas City—that could get downright deadly a hundred years or so ago—try Juliet’s calendar mystery novels and short stories. Click on the Calendar Mystery page for details.

Free Short Story

Here’s a snippet from “The Barn Door,” a prequel story to my calendar mystery series, set in old Kansas City, that features an old gent named Hector Jones in need of a detective.

The elevator operator had started to close the door when someone shouted, “Wait for me” from outside and a clean-shaven man of medium height stepped onto the car. He didn’t remove his dark blue cap. “Thanks for waiting, Robbie,” the man said.
“Sure thing, Mr. Price,” the elevator operator said. “Going to the Ninth Floor, as usual?” he asked before he shut the elevator door.
Price? Hector Jones thought.
“Yes indeed,” the man said, now standing near the front of the car on the right with his back to Hector.
Hector lowered his gaze and studied Price from the heels of his brown boots, the left one scuffed, to his dark gray mixed Kentucky jean pants, baggy in the seat. A pair of sturdy farmer’s suspenders crossed a patch of his white shirt a little darker with sweat than the rest of it.
The attendant turned and looked at Hector. “Which floor you going to, sir?”
“As it happens, I’m going to the Ninth Floor as well, to Price Investigations,” Jones said.
The man in front of Jones turned and took off his cap. “I’m Daniel Price,” he said.

Take a break from expensive Christmas shopping and also get a change in the weather a lot cheaper than flying to Bermuda, and read my calendar mystery short story “The Barn Door” set on the July 4th weekend in 1898. This prequel story to my calendar mystery novels is FREE 12/08/17  #FreebieFriday through  #ShortStorySunday 12/10/17. Enjoy mystery and some possible romance in old Kansas City, a place that could get downright deadly a hundred years or so ago by getting “The Barn Door” for FREE at www.amazon.com/dp/B073G7ZXMP.